Michael’s collage-like painting is a festival of exotic shapes and forms that explore vibrant and often endangered plants.

Spare and commanding. Cruz works on aluminium, letting the surface itself become part of the piece – light catching where darkness dominates. A single white mark moves through the centre with quiet authority. The end of the night, and whatever comes after.

A refreshingly vertical offering, where new relationships between colour, shape and order emerge as the eye moves down.

Blush pink, cream, mustard and soft green drift and layer across the canvas, warm as sun on skin. There’s no single scene to find here – only light in motion, colour gathering and dispersing the way memory does on a bright afternoon. It feels less like a place than a moment: that quiet pull toward warmth, toward somewhere brighter, held loosely in paint.

Time has left its fingerprints all over this piece. One well-worn volume steps forward from the shadows, its frayed spine adorned with embossed blooms, like pressed flowers saved between pages. Against the darkened shelf, Mickey elevates age, care, and quiet devotion – a tender portrait of books loved, handled, and returned to.

A tall, slender slice of horizon, Simon’s work feels like a narrow view drawn out to sea. A canoe’s prow enters quietly, while stacked horizontal lines suggest shifting layers of water, land and sky. The distant sun anchors the ascent, evoking journey, memory and enduring connections to place.

Katie is an internationally renowned artist, creating a visionary scene with Nurture. She creates glass blown perfection.

Here’s Hoping is an exceptional addition to a space or collection. Soft curves move the eye through elegant steel folds.

John Walsh’s subject matter of mythical or legendary figures has taken him away from Aotearoa and his often East Coast topic to the character of Tonto – where is Tonto being led? This interesting lithograph brings a rawness to the work, further enhanced by the masked figures in various forms of movement. The white breathing space focuses the eye on the drama and energy of the two omunous looking people.

A photorealist painting that shifts our sense of reality, assisted by a slight blur, adding to the mystique of this piece.

A moment of motion, frozen in time. This sculpture balances strength and weightlessness, its fluid form appearing to drift effortlessly against the wall. Like a ribbon caught mid-air, it plays with light and shadow – shifting with the passing day, casting bold silhouettes that enhance its sense of movement. An interplay of material and illusion, it invites contemplation from every angle, capturing the beauty of suspended motion.

A fleeting moment on Lake Manapouri, held in shadow and stillness. In soft greys and inky blacks, the painting captures the hush of early dawn – when light is just a whisper and the world feels suspended. The hills are brushed with the faintest glow, the water barely stirs. It’s a quiet breath before the day begins, where everything is calm, cool, and waiting.

Muted hues converge in a rhythmic dance, where shapes and marks echo both inner and outer landscapes. The painting transforms memory, emotion, and grief into luminous beauty, creating an atmosphere that hums with energy. Subtle yet powerful, it invites the viewer to pause, feel, and hold on within its shifting, expressive space.

Something presides here. The centre glows with concentrated yellow energy, deep purples and reds building around it like ceremony. The theatrical palette doesn’t perform so much as announce. There’s a sense of ancient intelligence, of being seen as much as seeing. The painting doesn’t wait to be discovered; it arrives first.

An aerial view of trees – its surface marked by age – becomes unsettled by glimmering silver 3D geometries and the sudden presence of a waterfall. In Hydrogeology, natural systems are redrawn, water redirected, and the landscape imagined anew, where geology and flow are mapped as if in flux.

Perfectly carved wooden forms move in a circular direction They could be branches, feathers, or waves. The flow creating harmony.

More compact and grounded, this work features a short, thick steel ribbon resting on a dark stone base. Its condensed form emphasises mass and tension, exploring movement through restraint while maintaining Ray’s signature sense of balance and flow.

Di is widely acclaimed for her unique and refined style of glasswork. Each piece is unique, with an alluring appeal.

Softly abstracted and richly atmospheric, Woman at Nagaroto captures a moment of contemplative movement, where time loosens and the landscape breathes.

Two lamps, two shades, two worlds quietly sharing a bedside. Tori finds the distance between places compressed into a single room – a mural watching over a made bed, art within art. Somewhere between Liguria and the Pacific, home becomes a feeling more than a location.

A playful form dances its own delicate performance on the wall. A perfectly balanced piece to capture your imagination.

Delicate and immersive, this piece exudes a dreamlike quality, drawing you into its depths. Layers of oil paint float above a fluid acrylic base, with the artist using turpentine-soaked brushes to gently dissolve sections of colour – like uncovering hidden histories beneath the surface. Dry brushing reveals intricate textures, exposing the raw weave of the canvas and creating a sense of time and erosion within the composition.

Michael’s large botanical painting blissfully mixes new moments within it. Waiting to be uncovered with every viewing.

Precision in placement, patience in selection and feeling for colour form the foundation of Fiona’s work. Initially simplistic from afar, the closer you get, the more intricate, layered, and complex the work unveils itself. With her feathered work, Fiona combines her heritage with her passion for circular forms or symbolisms crossing cultural barriers. From small, intimate pieces to large-scale showstoppers, Fiona astounds in her dedication to her art form.

Created from invasive gorse gathered at Waitawa Regional Park, this photograph is formed through sunlight and herbicide, resulting in a purple field mottled with green blooms. Suspended fragments drift across the surface, revealing the plant’s internal architecture. The image transforms a hostile species into something delicate, atmospheric, and quietly mesmerising.

Layer by layer, memory and matter stack across the canvas like a cross-section of ancient earth. Pigments bleed and shift, forming quiet records of change. Sedimentary is a meditation on time’s compression, where the weight of the past presses against the present in delicate, bleeding lines.

There is a darker meaning to everything that the incredibly skilled Paul Martinson portrays; however, in the meantime, part of his delivery of the message is delightfully surprising. You bond with the pieces so intensely that your imagination starts to actually see the pieces turn into real life—why wouldn’t you see a lightbulb with a fish in it?

Cathy Carter uses her work to tell the story of changing times, and yet this is one of those pieces you get utterly lost in. Seemingly simple in method, it transports you to a far more complex place where all concept of time is lost. Stunning and intriguing colours, folding and reflection, this is no simple photograph – it is a work of art you are proud to have in your home and collection.

Peter has long created harmonious, hand thrown orb vessels that are soft and dreamlike, yet statement pieces in any room.

A haze of blue hydrangea blossoms fills the frame, their forms dissolving into one another through soft, searching brushwork. The painting feels like a memory of colour rather than a fixed view – humid air, muted light, and petals merging in slow motion. It’s an immersion in tone, where calm and movement quietly meet.

Simon’s contemplative painting calls on his Māori and Chinese heritage, it is a tranquil, dream-like reflection space.

The mesmerizing movement of these glass works and their harmonious interplay are designed to be displayed in groups.

The hydrangea blooms seem to emerge from shadow, their weight and density heightened by Katherine’s lush, blurred gestures. This is blue at its most expressive – velvety, enveloping, and almost nocturnal – inviting viewers into a more contemplative garden mood.

Layer upon layer, each quilt a quiet archive. Tori lingers at the foot of the bed where the fabrics pool and drape – soft records of hands, time, and warmth. An intimate corner of a room that somehow contains everything about where we come from.

Quirky green lines drift and move across a pale yellow field, forming shapes that feel provisional and in flux. The surface suggests something lightly held – maps that might vanish, thoughts mid-formation. There is a playful tension between structure and impermanence, as if the image could soften, shift, or disappear entirely with a change in conditions.

A long, swirling tube of metal curves through space with industrial confidence. Despite its robust materiality, the form feels fluid and graceful, merging notions of travel, movement, and quiet elegance.

A body emerges and dissolves in dim light tracing the fragile act of staying visible within obscurity. Gesture becomes memory here, the body both witness and apparition, suspended between presence and erasure, seeking shape inside the quiet pull of shadow.

Ray’s dancing forms dance across a wall with a performance that changes from day to night as shadows that come and go.

Capturing the radiant influence of sunshine and summer, with beautiful light dancing over textures, exploring contrasts and experimental marks.

Ben’s steel figures evoke childhood freedom, playing with memory through fluid movement and evocative shapes, stirring deep, emotive recollections.

Double Electric Square is intimately soft, yet highly modern as though it is a distant cousin of a Donald Judd work.

Jimenez crafts a luminous space where beauty and mystery unfold with minimalist restraint.

A study in becoming. This piece captures the constant shift – of thought, of emotion, of being. Figures half-formed and dissolving, always in motion, never fixed. Like light through water, it flickers with the feeling that nothing stays the same for long.

Iconic to the contemporary New Zealand art world, Karl Maughan owns the uber-embellished and stunningly vibrant colourful garden scene. These are not the average garden;  it is where we all want to walk, they are enchanting realms that invite viewers to wander within—a nostalgic walk through memories, perhaps, recalling childhood moments of exploring vast, magical gardens with a beloved nana, where everything felt huge and wondrous.

A stunning small piece celebrating femininity. With a beautiful patina, Content is a balanced and engaging addition.

EK finds the rhythm in rising water – line after line, colour chasing colour upward, then back down in reflection. The fountain doesn’t just flow; it performs. A loop of light and movement that feels, somehow, like joy made visible.

A masterful metamorphosis of bronze, reaching beyond earth through material ripples in this delightful small sculpture.

Two hydrangea heads pressed together tell different stories of time – one still fresh in its bloom, the other later in the season with fading colour and burnt petals showing their age. Liam’s meticulous charcoal and pastel work reimagines 17th-century vanitas, capturing the fragility of existence in exquisite detail.

Intensity gathers at the centre and radiates outward – a luminous core ringed in layered, weighted colour that shifts between states. The painting holds more than one mood, more than one moment. Something is always in the process of becoming something else: form loosening, colour deepening, energy reorganising itself quietly at the edges. Catch it in different light and it will tell a different story.

Musky pink and layered with mischief. A memory from Spain, this piece captures a sisterly moment Maria’s not sure her sibling would want revisited. Sun, laughter, and just enough trouble to make it unforgettable – painted like a secret only half-told.

Perfect as a floral arrangement or a stand alone piece, Blue Spot Vase is hand built and brings the outside world in.

A radiant gold ground. A single black stroke rises into a solitary flower, grounded by whispers of grass below. Restrained, deliberate, and quietly breathtaking – Midnight Love distils Cruz’s painterly vision to its most elegant form.

Laura’s canvas speaks through a language of balanced proportions and harmonized colors. Her inspirations, often hinted at in her titles and expressed through the mood, size, and tones of each piece, create a vibrant impact—whether bursting with joy or exuding gentle softness. Each artwork transforms a space, bringing Laura’s message straight to the heart.

Where does a line go when it forgets itself? Carpenter works with moody, earthen tones and elusive lines to explore how colonial legacy lingers. The line becomes a metaphor, at once boundary, history, and unraveling. In Diffusing Line, boundaries melt, histories leak, and nothing quite holds. What happens when the edge no longer agrees to be sharp?

A disciplined grid simmers with contrast – green and red in poised tension, like a Libra balancing fire and calm. Beneath the order lies drama, a quiet chaos arranged with precision. Harmony is never static here; it’s a glorious dance.

With forms dissolving into shadow and earth, Mound is a quiet reckoning with memory and presence – where myth and identity drift through fluid, dreamlike space.

Those wishing to bring a layered piece with a story to tell into their collection will appreciate Bande á part 02.

Ben’s twisted steel figures play with memory through movement and shape, conjuring memories of childhood freedom.

A riot of colour in full bloom – Rush Hour pulses with layered shapes, vivid blues, flickers of yellow, green, and a sharp red. Like nature in motion, it’s a botanical traffic jam bursting with life and rhythm.

Butterflies hold a particular stillness, Karin notes – motionless until, suddenly, they’re gone. That pause sits at the centre of this piece. A soft blue field carries circles of colour adrift across it: a bright pink gathering in one corner, a lively grey in another. Nothing pinned down, everything about to lift.

From her Infinity series, Karen’s carving is titled by a call meaning as long as it takes. It is sculptural perfection.

Digging, scraping, revealing. Unearthing Line is archaeology in oil and pigment. What happens when the buried thing sees light again? Carpenter uses the language of painting – moody, earthen tones and elusive, shifting lines to question the ways colonial legacy leaves its mark. The line is not only a formal device, but a metaphor: for boundaries, histories, genealogies, and undoings.

Kate’s photograph reimagines landscape-making itself. Gathered from a swollen river thick with sediment and fermented apple remains, floodwater runs directly across unexposed film. What emerges is both abstract and visceral: swirling red tones that transform polluted water into something sumptuous, a process as direct and dramatic as the flooding that inspired it.

A diamond certainly blushes as a soft geometric glow plays with your eye with light that could be emanating from within.

While no single person can ‘own’ a form, the Quatrefoil seems to own Max. With his signature shape, he manages to tell a different story within it by using different colour palettes in his gestural brushstrokes. ‘Into the Light’ is elegant and perfectly placed within a classical setting and the contemporary icon, or the standout storyteller in the minimalist collection.

A delicate portrait bathed in a whirlwind of gestural brushstrokes, exquisitely communicating the human experience.

Soft layers of pink create a luminous field that slowly reveals its secrets. Embedded within the surface is a ghosted star form, drawn from connecting lines and erased gestures, like a memory half-recalled. The work invites close looking, rewarding attention with quiet discovery and a sense of navigation through subtle, atmospheric space.

An uplifting sense of looking skyward, catching fleeting glimmers before evening settles. The extended frame cradles the work gently, holding the soft rise of light and the subtle shimmer that lingers at the edge of day.

A ceramic vortex opens up like a flower or moves like wind. An exceptional addition to any space or collection.

Blurred earthy tones drift into deep steel blues and olive greens, like heat rising from grass at dusk. A strong white form anchors the lower corner – a quiet promise within the haze. The painting hums with anticipation, holding that still evening moment where reflection softens into hope.

With its dusky sky and rolling green hills, this is the hush before or after something – a moment suspended in the amber light of transition. Pines rise quietly to one side, anchoring the scene as colour softens across the land. There’s a feeling of breath held. Time here isn’t measured, but felt – gentle, familiar, and fleeting.

Drawing loosely on Sue Monk Kidd’s The Secret Life of Bees, this piece sits somewhere between colour and contrast. Two strong passages of black and white anchor the centre, surrounded by a lively, layered palette. The effect has the quality of a paper collage – fragments pressed together, edges overlapping, nothing quite settled.

Seen from above, torn rolls of paper form a landscape of soft cylinders and shadow. The angled composition and stark black lines cut through the image like measures of time. It feels archaeological – a quiet excavation of knowledge, decay, and the physical weight of stored ideas.

Atmosphere and mood are central to Garry’s timeless and ethereal landscapes.

Ancient and unhurried, the redwood has witnessed more than we’ll ever know. Loren places a solitary figure at its base – small, still, barely there. The shadows don’t threaten; they hold. An invitation to stand inside something far older than yourself, and simply enjoy.

A bouquet overflows with a lively abundance that orbits a William Morris palette of deep greens and bold natural colours.

Justin portrays a snapshot of a journey, a memory and moment in time, accentuated with a Realist colour palette.

A rhythmic field of dark motion, this work invites the viewer into a meditation on structure and order. Subtle tonal shifts within the hand-ground pigment evoke a quiet architecture – an abstract mapping of memory, matter, and movement. The circular form holds its energy inward, revealing balance within constraint and depth within restraint.

Cryptic and rhythmic, this piece feels like a coded message caught mid-thought. Fragments of language hover within fine-lined fields, interrupted by pulsing black marks that suggest measurement, memory, or time itself. This spare composition reads like a pause in a story, inviting viewers to begin again, and again.

Kathryn’s background in architecture forms the foundation of her work, alongside her deep love for the coastal environment. The dramatic Northland landscapes, plunging into the sea at steep angles, are scenes that resonate with every New Zealander. With her focus on capturing this essence in her work, she aims to convey the beauty of these shorelines. In the meantime, it remains just a calming, beautiful scene.

The silver leaf background makes the petals pop off the wall, coming into your room in such a reality that you can almost smell the scent. The artwork manages to morph into different art styles, looking stunning as the hero in an otherwise minimal setting to being a quietly seductive piece in a classical setting. You will never tire of it.

Setting the scene for the perfect family space, and invitation into a place where – Home Fun – is one of the most important values. Immediately you relax, can feel a smile coming on and remember that this is where you belong. The day-to-day stresses can begin tomorrow again, so let the chaos and wild fun begin.

Shane’s remarkable creation commands a powerful presence, bridging physicality and spirituality with its hand-built board, concrete, and copper composition.

Tuirse is the Irish word for sorrow or weariness. Warm browns and purples move steadily across the canvas – grounded, heavy, familiar. Then white marks interrupt: restless, unresolved. Cruz captures that particular emotional texture where stillness and feeling quietly collide.

This piece blends swirling layers of blue and white with marble-like depth, creating a space that feels suspended and borderless. Soft currents of paint drift in multiple directions, as though guided by an unseen pull. Fine splatters of volcanic sand break the surface rhythmically, adding contrast and texture. The result is a quietly dynamic work that evokes movement, weightlessness, and the gentle pull of gravity.

Employing a classic ring shape, Division symbolises eternity, totality and wholeness. It radiates timelessly from within.

A bright yellow circle cradles an orange square, and the whole thing just glows. Karyn plays with the energy between circles and squares – she sees them as more than shapes, each with their own resonance and character. Here they create something warm and joyful, fundamental forms that feel surprisingly alive when they come together in luminous acrylic.

Atmosphere and mood are central to Garry’s timeless and ethereal landscapes.

The highly contrasting texture is evidence that the experimentation of materiality is always evident when engaging with Julie Cromwells’ works. This piece delights in form and the crawling glaze that makes its way down the side of the vessel. This piece will compliment any room setting on a sideboard, setting the scene of elegance.

A painting that envelops the senses petal after petal in the most beautiful, painterly detail that is almost dreamlike.

Wind whips about a departing figure, leaving elemental brushstrokes as a visceral reminder of art’s expressive power.

Colour, texture, line and form meet in this elegant glass sculpture inspired by the art of Japanese flower arranging.

Sunlit warmth glows beneath the surface, where golden hues peek through a crisp, textured glaze. The popcorn-like formations on top create an irresistible tactility, inviting closer inspection of the dynamic relationship between glaze and form.

The glow that is achieved with the large-scale oil, the perspective of looking into the distance while being present at the moment, and Garry’s moody landscapes of Aotearoa are captured in this intriguing, beautiful painting. What he achieves with the colours and light here is outstanding; it is as much uplifting as it is also haunting. What you see is up to you. Garry’s layering of abstract use of colour brings the brilliant mind of a deep thinker to the forefront- to see the world through the unique lens of an artist.

A moment on an Auckland street captured through Matthew’s interest in cinematic mise-en-scène, paying homage to the city.

Lush and luminous, this gem brings the calm of the forest with a hint of ocean breeze. Its playful form and glowing surface strike the perfect balance between grounded and free-spirited – like nature with a wink. Hang it solo or mix it in – It’s effortlessly cool.

A scene on the way to a bigger scene, Matt paints the moments you wanted to stop and take in on your way somewhere else.

Monique’s interest in surfaces continues in this work, with texture created on a white-on-white box sculptural form.

Playground echoes in yellow tones – shouts, laughter, and maybe the ghost of a basketball hoop. You can almost hear the bounce. A flash of childhood freedom, where scraped knees and sticky hands told the stories.

In this beautiful hand built piece Annie captures the humanity and humility of our world in this lovable patched up Hare.

Faint but deliberate, Tracing Line follows ghosts. Whose path are we walking, and who left the breadcrumbs? Carpenter uses the language of painting – moody, earthen tones and elusive, shifting lines to question the ways colonial legacy leaves its mark. The line is not only a formal device, but a metaphor: for boundaries, histories, genealogies, and undoings.

Inspired by nature, this work captures fluid lines and pattern in the glass, showcasing a delicate use o structure and form.

Your initial thought might be….a book? But then you find yourself examining it more and more and relating it to memories in your past or a particular experience only to realise you have bonded beyond what you thought possible with a photograph of a book. These pieces sneak up on you like that, and you can’t live without them.

Wood-borer marks get the spotlight in this playful tribute to tiny lives – hand-routed like lost languages from the bug underworld. Abstract forms emerge from these insect etchings, transformed into bold gestures and vibrant echoes of the unseen.

With orange being the colour of the happy inner soul, the joy you feel to your core when being greeted by ‘Honeycomb’ will also be infectious, flowing onto all to share. This is an insight into the way Michael sees the world – fantastical, vibrant, full of energy and laughter. Let it sink in…

This sculpture embodies Annie’s teacher aid years, where stories of caring for animals taught empathy and respect for life’s lessons.

Sure to delight, Fluid dances an entangled performance, the perfect conversation piece that plays with the light.

Painted during a period of global uncertainty, this work grew from a reflection on what lies within our control – and what doesn’t. Menacing grey circles swirl around the edges, framing Karin’s familiar pale blue at the centre. The result feels distant and cosmic, almost galactic, as though offering a wider view to steady a troubled moment.

Born from long hours spent within the tree line of Waitītiko Creek, this piece reflects on how artists of the last century have related to their own green spaces. Channeling the spirit of Gordon Matta-Clark’s Energy Tree drawings, the work traces unseen currents of energy and connection, revealing a landscape that is at once grounded and otherworldly.

Quirky and full of character, draped in a thick, snow-like glaze that clings to its uneven surface. The blue undertones peek through like glimpses of sky on a winter’s day, while the playful, misshapen handles add a whimsical touch, as if shaped by the elements themselves.

Brushstrokes gather like birds in flight – weightless, instinctive, full of hidden rhythm. There’s something tender in the way they cluster: not chaotic, but collective, moving as one. The painting hums with warmth and mystery, like voices overheard but not quite understood.

Mickey’s photograph of bound books is nostalgic for a time lost to the digital world. A thoughtful centrestage artwork.

A striking bronze piece celebrates femininity while embodying the enduring spirit of a performer’s life journey.

A circle of ripples expands across a dark body of water – something has just broken the surface, or is about to. Above, a luminous white form hovers, ambiguous and arresting. It may not look like a fish, but it carries the unmistakable energy of one – the flash of something wild, briefly glimpsed and already gone.

Part of Ara’s golden ‘Poet’ suite, this figure continues his investigation into what has been lost, what remains, and what can be discovered from Mesopotamian history. Elegant and unusual in equal measure, it’s a beautiful way to bring warmth, gold and a touch of theatre into a room.

Kiya manages to dance in the medium of ceramics. Her shapes take on a life form of their own as she works them into their incredibly complex interlocking sculptures and somehow makes that look easy. Stunning as centrepieces or incredibly stylish on hall-side tables, they are contemporary heirlooms. ‘Aqua Dynamics’ shows height through a delightful curl that seems like it is a plant taking off in new growth.

From a distance it reads like terrain – fields viewed from altitude, parcelled into warm ochres and deep reds, a landscape both mapped and undone. Closer in, the grid reveals itself: deliberate, animal, alive. Burnt orange cuts against yellow, the pattern bends without breaking. There’s velocity in it too – a strong lateral pull, as though the whole composition is mid-turn.

Focusing on a single vessel, this piece transforms the ordinary into something compelling. The objects, often overlooked or dismissed as bland, take centre stage, challenging the traditional conventions of still life. Damien’s art elevates everyday items, inviting us to reconsider their significance and beauty. Through this deliberate focus, the seemingly unremarkable becomes a point of fascination.

Ben’s twisted steel figures play with memory through movement and shape, conjuring memories of childhood freedom.

Kathryn Carter is well-known for her beautiful representation of her Northland homeland. She often depicts the islands that rise out of the water, dotted through the Bay of Islands, capturing them at different times of the day in different light. With Cloudscape, she is moving her attention to the sky – equally important in a New Zealand environment.

Evoking a dreamy atmosphere, where dancing light and a sublime palette amplify drama and depth, blending reality and imagination.

Llenyd’s work explores the connection between mentality and the landscapes that offer a sense of escape. Through a rich, immersive scene, the piece provides a moment of respite – encouraging viewers to pause and step away from the rush of everyday life. Subtle yet thought-provoking, it invites reflection on our relationship with nature, the ways we shape our surroundings, and how these environments, in turn, shape us.

Layered blue-grey tones exemplify monochromatic mastery – perfect for cohesive, sophisticated collections.

In this private bedroom sanctuary, an ornate four-poster bed dominates, speaking to Old World craftsmanship and continuity. The title suggests layered cultural traditions – American textiles meeting Norwegian folk art. Through carefully chosen bedside objects and beige drapes softening bold walls, Tori constructs “reflective nostalgia” – where objects, patterns, and memory reassemble the past into a comforting sense of home.

This piece layers the familiar with the unexpected. Amid muted tones of the flowers, colour forces its way through: bursting from the floor, popping out through petals, pulsing in scattered squares. Waghorn turns quiet interiors into charged spaces, where emotion and colour crack the surface of the everyday.

Cool geometric fragments float over a calm landscape, giving the piece a crisp, minimalist edge.

Rolling terrain unfolds in fragments as though the land itself were pieced together from memory rather than observation. The patchwork descends toward an unseen sea, each block of colour a different recollection of place. There’s a sense of standing right at the edge of something vast, where the familiar gives way to open, unmapped horizon.

Yellow burns at the foundation while pink and orange pulse upward in radiating, rhythmic clusters. The effect is somewhere between natural phenomenon and optical marvel – luminous, endlessly repeating. Symmetry appears and dissolves. Something is on the verge of taking flight.

A contemporary play on the bottle shape, with the artists’ signature experimental style playing across the surface.

Ben’s steel figures evoke childhood freedom, playing with memory through fluid movement and evocative shapes, stirring deep, emotive recollections.

A celebration of the beauty in the everyday. Stripped of background context, the vessels take on a life of their own, brimming with vitality and intrigue. What do they hold? Why are they arranged this way? The addition of the enigmatic ‘X’ only deepens the mystery. What seems ordinary becomes extraordinary in Kurth’s hands.

Zara’s sweeping, painterly gesture sits well in soft abstract or colourful eclectic settings, a monochromatic meditation.

Iconic to New Zealand Contemporary Art, the Daisy Eye Series by Chris Heaphy is from a time in his life when he experimented with shapes and elements, which led him to the reduced and sophisticated works he now creates. Daisy Eye, however, will bring you endless fun and joy and connect you to this distinctive New Zealand artist.

Kiya’s unique ceramic sculpture is energetic and elegant, like a graceful white ribbon in the midst of falling into place.

Rust-red and richly worked, with a white line cutting across the trunk like a decision that’s already been made. Two native birds face off from either side, perched in what might be negotiation or might be old friendship. A crown above, a ribbon below – small clues toward a story that’s clearly been going on long before you arrived and will keep going after you leave.

Glassblowing is a form of craftsmanship where movement and centrifugal force is part of the process. The Rainbow Platter displays this beautifully, you can almost see the movement as the hot medium is swirled to allow for this centrepiece to be wavey, as well as coloured and wrapped in a black rim to accentuate the design – add to that the softness created by sandblasting the surface, and you have a centrepiece to be spectacular on any surface.

It may not be immediately obvious that Andrea Bolima draws her inspiration from nature — now turn your attention to the night sky, the colours of nature in the soft hues reflected with the moonlight, and the sensations of scent and touch, and you are suddenly in Nightshift, a beautiful artwork to be in your environment.

Loosely inspired by a rainbow, colour and line draw the eye to the centre of this uniquely formed platter.

The strong gestural marks of this piece invite an energizing prescence into the room, seamlessly acting as a connecting element to unify a collection. Its vibrant strokes make you want to dance upon seeing it, evoking the artist’s confident and inspiring strokes.

Gathering its trio of illustrated spines like characters in a forgotten domestic narrative. Scuffed and time-softened, they carry echoes of private lives and prescribed roles. Mickey’s framing turns these once-practical guides into subtle social commentary – a study in identity, expectation, and the histories quietly shelved.

Two temperaments pull against each other here – calm and exuberant, often at odds within the same person. Painted as a diptych, one half settles into a simple, quiet blue; the other breaks into busy pink and colour. Together they suggest something universal: that contradiction, held side by side, is simply part of being one person.

Carved from ancient Kahikatea long-sheltered beneath Northland’s rivers, this work embodies both time and transformation. Its faceted form catches light like a gemstone, revealing golden depths within the timber’s grain. Blending the essence of pou with the brilliance of carved stone, it stands as guardian and offering – honouring whenua, ancestry, and the quiet gratitude of a charmed life.

Created during Kate’s residency at Waitawa Regional Park, this photograph uses invasive bindweed exposed to sunlight and a commonly used herbicide, producing its distinctive green finish. The process renders the plant almost like an X-ray, revealing hidden internal structures. Scientific and poetic at once, the image is mysterious, fragile, and unexpectedly beautiful, transforming eradication into quiet revelation.

Composition and light are everything in this confident, contemporary painting by this compellingly collectable artist.

Meaning welcome in Samoan, Malofa is a rich, contemporary reference to island culture through colour and form.

Matt’s light filled landscape paintings can be viewed individually, or as a series of New Zealand views to get lost in.

Painted largely with eyes closed, this work is an intimate portrait of a mind navigating the fog of chronic concussion – the fleeting moments of clarity, the sharp intrusions of pain, and the constant struggle to hold onto a thought before it dissolves. Dark tones dominate the canvas, yet bursts of vivid colour push through the haze, mirroring the unpredictable rhythms of a day lived from the inside out. Raw, unguarded, and deeply personal, it is as much a neurological diary as it is a painting.

A surge of motion radiates from the canvas’s core, where luminous blues and greens seem to release light itself. Energy moves outward, gathering momentum yet retaining grace. This work holds the fullness of breath – the expansion before release – offering a visual rhythm that celebrates vitality, balance, and the interconnectedness of all movement.

Sonja conjures a world where land and water blur in this piece, and spindly leafless trees stretch at uneasy angles between realms. The crimson palette scorches the scene with intensity, while sparse patches of green hint at resilience within the desolate. There is a haunting stillness here revealing nature’s fragile balance and the unseen depths beneath its surface.

Ray’s fluid form plays in the third dimension, an entangled performance in mid flight in time that changes with the light.

A collaboration between artist and awa, this photograph is both a visual record and a poetic statement on land use, ownership, and the fragility of freshwater ecosystems. A glimpse through nature’s veiled memory – this piece captures the beauty and fragility of our changing environment, suspended in time like a fleeting reflection.

A vessel to calm the senses with its serene symmetry, Fragmented Order has an earthly texture that will occupy the mind.

Perfect as a floral arrangement or a stand alone piece, Blue Spot Vase is hand built and brings the outside world in.

This is a painting of aftermath – heavy, hushed, the surface carrying the weight of what has just passed. Through the prevailing dark, a thin line of white glows with quiet insistence, a sliver of clarity in the murk. Atmosphere clings to every mark, as though the rain has only just stopped falling.

Like a kaleidoscope, this vibrant reflective sculptural form celebrates possibilities, playing with symbolism, color, light, and overlays to change hues.

Defying nature, this cast glass sculpture dances in the light, weightless and balanced in a slender cradle to show off its form and making the piece glow with life. The flow of colour and the the exact form of the icicles are never completely controllable, despite the immense skill and experience involved. It is the nature of this material and the process, and also the delight in the unexpected.

Reveling in abundance: blush-pink blossoms press forward through a tangle of green, painted with generous, impasto strokes. There’s a sense of devotion in the repetition of petals and leaves, of care given and returned in bloom. Romantic without being fragile, the painting pulses with warmth, vitality, and quiet intensity.

In Loren’s contemporary abstract painting, ethereal figures emerge like restless spirits, sculpted from alchemic realms of paint, reaching through veils of color.

Andrea’s painting of nature and the way it drapes itself all around us, watching for moments of abstract beauty outside.

Waghorn paints a quiet forest cottage in layered blues, its solitude disrupted by a vivid rainbow bursting from the chimney. This surreal eruption transforms the scene, infusing the calm with explosive energy – an unexpected collision of stillness and spectacle that hints at hidden intensity beneath a serene exterior.

A soft white veil hovers over the surface, allowing vivid pink dots to pulse through like suspended particles. The imagery recalls mist, breath, or microscopic activity, blurring boundaries between atmosphere and organism. There is a sense of lightness and diffusion, as though the painting is simultaneously forming and evaporating before the viewer’s eyes.

Built from brooding layers, Carry Your Cross is thick with atmosphere and ambiguity. Dark tones form a weighty base, from which streaks of yellow drip like light attempting escape. A faint black cross hints at burden or belief, but remains unresolved. Highly abstract and emotionally raw, the work invites contemplation without offering answers.

What the borer left behind, Bobbie turned into a party. Blush pink sets a soft stage for a cluster of short, decisive brown lines – busy in the best way, like a conversation happening all at once. White lines cut through to let a little air in. Energetic without being loud.

In this piece, white roses open wide, their centres glowing with warm notes of gold and amber. Up close, the blooms feel generous, almost indulgent – a sensory rush of colour, light, and texture. Katherine transforms the familiar rose bush into something radiant and immersive, inviting you to linger in its quiet, sun-soaked opulence.

Invasive plant matter, gathered and subjected to sunlight and herbicide, leaves a dense yellow impression against a muddy pink ground. The chemical reaction produces drifting shadows and subtle tonal blooms. The process transforms eradication into image – part botanical record, part alchemical trace – where light, time, and material quietly collaborate.

This artwork’s enjoyable humor adds a playful and fun touch, making it an extraordinary addition to any room.

Two halves converse in tension and harmony – one marked by precision and repetition, the other by weight and rupture. Together they become a meditation on duality: order and upheaval, restraint and release. The surface registers both silence and sound, as if architecture itself were breathing through the skin of pigment.

A stunning small piece celebrating femininity and movement with strength and energy. Out of Bounds challenges and engages.

The fascinating process and methodology of this artwork is an aspect that is visually secondary to the attraction of the work. The depth of colours achieved, the movement and blending – and tension – of them creating alluring patterns and blends, only then to realise that the work tells the story of our changing wetlands and the threat they are under. Beauty can lead to conversation, and this piece does just that.

Lucy paints as if feeling her way toward something just out of reach – and somehow, she always arrives. This luminous piece opens like a portal into a quieter world: white markings sweep down the left and curl beneath the canvas like breath held and slowly released, while a burst of yellow circles outward, all warmth and insistence. Strong and full of the particular courage it takes to keep hoping.

A dark border frames the canvas, heavy and enclosing, while the centre appears worn away – rubbed back to reveal what lies beneath. What emerges is a landscape, grounded by a strong, definitive line at its base. There is tension here between concealment and revelation, between the inherited lines we carry and the possibility of seeing through them to something more honestly held.

A ribbon of stainless steel curves in an almost-infinite form, poised just short of completion atop a dark rectangular stone base. The near-loop creates a sense of anticipation and suspended motion, suggesting continuity without closure. Precision and elegance meet weight and stillness, emphasising the quiet tension between movement and restraint.

This sculpture embodies Annie’s teacher aid years, where stories of caring for animals taught empathy and respect for life’s lessons.

Soft dark mountains lean toward each other across still water, the sun caught somewhere between rising and setting – that hour that never quite picks a side. It has the hazy warmth of a memory you’ve told yourself so many times it’s become its own kind of true. Kyla paints NZ’s ever-changing sky and sea not for accuracy, but for the peace they leave behind. This one lingers.

Colour bursts and blends at the centre, blurring out towards soft white edges as if the memory itself hasn’t quite decided where it begins or ends. There’s a lightness here, an unmistakable joy – the kind that comes from days you didn’t know you’d want to hold onto until much later. Maria paints memory the way it actually feels: a little imprecise, entirely alive.

A hypnotic mix of colour and pattern, where a blue, snake-like flower coils at the centre. Around it, bursts of flora and lively shapes create a garden alive with secrets. Neighbourhood Watch feels like the wild heart of a suburb caught mid-bloom.

Colour cascades from top to bottom blending ribbons of yellow and grey – as though something luminous lies just beyond the surface. Cruz creates a sense of anticipation here, something shimmering and half-revealed, like standing at the edge of something extraordinary.

Delicate, fluid lines flow through space, as if suspended, this bronze sculpture echoes graceful movement drifting with the current. Resting on stone, it carries both lightness and weight, a balance between movement and permanence. Changing and morphing from different angles, it invites you into a quiet, dynamic dance – where space, shape, and perspective are in constant motion.

As the colours change from the outlook of Deborah’s studio, the subdued greens and browns start popping – just that little bit of an invitation to the spring colours about to emerge. Once again, this is a refined study in form and layers, this work absorbs our attention like an incoming storm cloud, light by dashes of transcendent colour.

Part of Ara’s suite of golden ‘Poet’ figures, this piece continues his ongoing exploration of Mesopotamian myth and artefact – not replicating the past, but drawing on it to invent new, fictionalised deities. A striking way to bring gold and intrigue into a room, this piece carries a quiet, storied presence wherever it sits.

Laura’s artistry unfolds through balanced shapes and a symphony of colors. Her inspirations, subtly woven into each title and reflected in the mood and scale of her work, deliver either an exhilarating burst of joy or a serene gentleness. Every piece enriches a space, carrying Laura’s message straight to the viewer’s core.

Marks scatter, squiggles flare, feathers multiply, colours clash. Sentience is a riot of perception, a surface alive with unruly rhythms. Yet beneath the chaos there is pulse, intent, awareness – an intelligence in colour itself, testing its own boundaries, brushing up against the edge of becoming.

Defying gravity, this cast glass sculpture dances in the light, appearing weightless and perfectly balanced in its delicate cradle, showcasing its elegant form and radiating with life. The movement of color and the precise shaping of the icicles remain partially unpredictable, despite the artist’s remarkable skill and expertise. This unpredictability is inherent to the material and the process, adding an element of surprise and delight to the final creation.

A contemporary play on the bottle shape, with the artists’ signature experimental style playing across the surface.

A larger-scale work, showcasing a stunning rose gold hue, with her usual remarkable surface texture and light reflection.

A meditation on the bond between mother and daughter, painted in layers that seem to float rather than settle. Colour builds upon colour, each pass visible beneath the next, creating a sense of depth without any fixed centre. The effect is less a single image than an accumulation – much like the relationship it considers.

A chorus of greens and yellows threads across the canvas in lines that repeat and reverberate. In Green Song, rhythm becomes vision: the eye stutters, the surface hums, and patterns emerge like sound waves caught mid-flight, vibrating with both harmony and dissonance.

Steel greys and city shadows frame this cinematic moment – where light slices through buildings and lands on one lone yellow line, like a secret clue in an urban noir.

Three faces share one body in this piece: anguish, stillness, and quiet surrender. Against a scorched red background, the figure flickers between selves, caught in the loop of recognition and regret. Tomkins paints the theatre of self-judgment – the fool we know too intimately, the mirror we can’t escape

Kiya manages to dance in the medium of ceramics. Her shapes take on a life form of their own as she works them into their incredibly complex interlocking sculptures and somehow makes that look easy. Stunning as centrepieces or incredibly stylish on hall-side tables, they are contemporary heirlooms. ‘Something Old, Something New’ is a large piece that stands tall and proud while bringing in shades of blue/grey, beautiful for classical and contemporary settings.

Morning walks inspired this diptych. Nautical undertones run through both panels, alongside a quiet nod to the moon and stray stars still lingering at dawn. Orangey-red swirls drift across the divide, briefly uniting the two halves before fading back into their own space.

Cruz is captivated by the natural elements and the night sky and the stories written within. His extensive travels have deepened his connection to his heritage and ancestry, often echoed in his work. While his pieces may appear tonal, the intricate layering reflects his passion for colour theory, which he studied at Parsons in New York. His work is sophisticated and rich, evocative yet deceptively simple, revealing a complexity that goes beyond first impressions.

A quiet portal in deep blue and black frames a pulsing pink diamond – its glow subtle, magnetic. A modest ladder leans gently within the scene, offering a whisper of escape, sideways or inward. Stillness meets surreal possibility in this intimate, otherworldly composition.

A triptych capturing the iconic back country New Zealand landscape, the rolling hills bathed in beautiful light.

A burst of warm orange, like a sun or tropical fruit—with its geometric shapes in complementing colours, the cast perspex and slightly mind-bending works of Kāryn Taylor are intriguing as well as stunningly attractive artworks. Your eye doesn’t quite know what to focus on, as there are clear lines combined with blurred lines to deliberately confuse.

Two lights, one mirror, the geometry of a curtain holding its grid. Tori finds symmetry not as certainty but as longing – the desire to see ourselves clearly in spaces that have already begun to shift. Reflection, it turns out, is always slightly off.

Drawing on Ara’s research into materiality in ancient Mesopotamia, this piece speaks to lapis lazuli – the rare blue stone once prized by Mesopotamia’s elite not only as a luxury material, but as a symbol of the celestial night sky and the divine order of the cosmos, appearing in myth as the very substance of the sacred Tablet of Destinies. Rendered in deep blues, greens and gold, its eccentric, layered form brings a striking sense of colour, myth and history into a room.

Like Orpheus descending, the eye is drawn across into warm, glowing depths – gold light filtered through dark sentinels, reflections dissolving into abstraction. Garry conjures a world that hovers between the living and the otherworldly, familiar yet unreachable. A large-scale meditation that rewards stillness, inviting the viewer to linger at the threshold between two worlds.

The experimentation of materiality is always evident when engaging with Julie’s works. Tall and proud, this piece not only delights in form, but also in the crawling glaze that makes it’s way down the side of the vessel. Ever changing light will bring everchanging impact and endless delight.

Deep 2 is a large sculpture in a dramatic colour taking you deep into the water, as if diving under an iceberg. The flow of colour and the the exact form of the icicles are never completely controllable, despite the immense skill and experience involved. It is the nature of this material and the process, and also the delight in the unexpected.

The Weight I is an extremely moody representation of the landscapes of Aotearoa, displaying the soft and often sombre layers of colours in our country of the Long White Cloud. The reduced language in this piece and the brilliant knowledge of when to walk away and let it be are why people live with art—to see the world through the unique lens of an artist.

Deep 2 is a large sculpture in a dramatic colour taking you deep into the water, as if diving under an iceberg. The flow of colour and the the exact form of the icicles are never completely controllable, despite the immense skill and experience involved. It is the nature of this material and the process, and also the delight in the unexpected.

A pink sky holds a vast landscape of clouds at what could be sunset or sunrise, painted in a blurred photorealist style.

The canvas is divided into zones of colour and mark-making – burnt orange, mustard, earth – each section cultivating its own rhythm while remaining part of the whole. It’s the logic of a working landscape: difference within sameness, variation within order. Paddock beside paddock, each growing something slightly unlike its neighbour. The overall effect is quietly abundant, patient, deeply rooted.

A generous study of native flax coexisting among shadows is luxurious and poetic. For lovers of photography and painting.

A canvas bathed in radiant yellow, its edges animated by pencil marks, smudges, and subtle drips of grey. Yellow is both bold and delicate, capturing the vitality of colour while leaving room for pause.

Di’s incredible glass sculpture appears to defy glass itself. Light bounces through a delightful ice-like composition.

Rich and a little mysterious, this stunner adds a pop of playful drama. With its glossy shimmer and offbeat silhouette, It’s both regal and rebellious – perfect for walls that don’t take themselves too seriously.

Formed from carbon fibre, resin, and oak veneer, this sculpture resembles a casually discarded length of ribbon. Light and tactile, it carries a sense of intimacy and spontaneity, transforming an everyday gesture into a refined, sculptural moment.

Named for the Mesopotamian god of writing and wisdom, this piece continues Ara’s exploration of Mesopotamia’s histories, reimagined into his own eccentric, fictionalised form. Rising from a base of deep blues and bright gold, it’s finished with a feathered, gold-banded collar and a single evil eye at its peak – a striking way to bring gold, height and myth into a room.

Carved from ancient kahikatea long sheltered beneath Northland’s rivers, this sinuous form moves like a fleeting presence. Its snake-like curves suggest something glimpsed rather than held, a quiet glow that shifts with light and perspective. Drawing on the idea of will-o’-the-wisp, the sculpture evokes mystery, motion, and impermanence – an embodied whisper of the forest and water that once concealed it.

A riot of colour and contradiction, this piece pulses with layered chaos. Yellow light hovers angelically in the top right, while a dark purple shadow spreads from the left, setting the scene. Wings almost emerge at the centre, only to be tangled in black squiggles and crossed-out gestures below. A visceral, volatile painting where beauty and disturbance wrestle for space.

This magnificent painting features layered oil paints, tone on tone, creating rich depths of hue and variations in light and perspective.

Pulsing with the warmth of the changing season, this intricate piece is composed of rich coloured pheasant and peacock feathers. Fiona’s signature circular form and precise arrangement evoke the rhythm and beauty of autumn’s shift, honouring the natural world with meditative grace.

Cruz orchestrates an explosive constellation, brimming with beauty and mystery whilst being mesmerizing and captivating.

The canvas is almost entirely consumed – tight yellow and black markings fill every inch, dense as plumage, precise as instinct. Only the faintest of white shows through. This is observation pushed to the edge of abstraction: feather after feather until feather becomes frequency. Intimate and almost relentless, it rewards the viewer willing to look until the texture starts to hum.

Beautifully shaped organic forms, dappled with textured indents and grooves on the matt surface, these beautiful shapes of the Pod Series are stunning sculptural objects that quietly command attention on any sideboard or as a centrepiece. The pieces bring beauty and warmth into a room, working in conjunction with the right wall art to compliment and enhance the visual language.

Cruz has a deep fascination with the night sky and the mysteries written in the stars. His extensive travels have only strengthened his connection to his heritage and ancestry, both of which are often woven into his art. At first glance, his work may seem tonal, but the subtle layering speaks to his love of colour theory, honed during his studies at Parsons in New York. His pieces are refined and rich—evocative yet deceptively simple, carrying a depth that unfolds upon closer inspection.

Inspired by Mattisse, the unpredictability of Helen’s work is exemplary in this energy filled, colour driven painting.

Garry’s artwork captures a turbulent landscape, with the earth agitated by internal forces, revealing our vulnerability to nature’s power.

Bonco’s art is a meticulous symphony of geometry and imagination – hand-painted with countless tiny squares that come together like a mosaic of dreams. Geometry fractures like star charts, revealing hidden patterns and cosmic logic. A small ladder offers a surreal escape route, inviting ascent into another dimension. These works are portals, balancing colour, structure, and imagination in a meditative dance of order and possibility.

A wire fence marks the foreground, quiet and familiar. Beyond it, green hills drift toward a clouded sky, each contour echoing with the rhythm of place. The scene hums with quiet observation – part memory, part dream.

Earth tones bleed into pink, boundary into boundary – Paul offers no fixed scale, no single answer. This could be cellular, could be geological, could be the moment before anything had a name. The eye searches for an edge and finds only more beginning.

Bobbie takes the borer’s long, almost-straight run and lets it breathe across a pale blue ground – two shades of orange, top to bottom, unhurried and quietly bold. Simple on first glance, but the tension between warm and cool keeps drawing you back.

Blue brushstrokes run the full height of either edge, framing a centre that’s clearly decided the rules don’t apply to it. It’s bright, it’s busy, it’s joyful in the way a good party photo is joyful: so much happening to take in at a single glance, and better for it.

Arc emerges from a luminous gold ground that glows subtly at the edges, framing cascades of thick, dripping colour. Each hue pulls to the left and right, creating a sense of motion that feels both deliberate and uncontrolled. Black volcanic sand scatters across the surface like a gestural script, adding grit and contrast. The work lingers like salt on the skin after swimming – a textured reminder of what shifts and stirs beneath the surface.

A multi-storied hieroglyphic canvas charged with society, politics and culture. For homes that love art with a story.

Bold, heat-soaked colour spreads and slips across the surface, as if the painting itself is dissolving in the warmth of summer. At its centre, a faceless grey figure emerges, surrounded by restless marks, gestures and dripping paint. The figure feels momentary and unstable, melting into view before slipping back into ambiguity, where form hovers between presence and disappearance.

What once was insect munching is now extraordinary art. Hand-routed trails hint at ancient scripts and tiny rebellions. Wood becomes language, colour becomes emotion – abstract stories unfold.

Capturing fluid lines and patterns, this work showcases delicate structure and beautiful form by one of New Zealand’s top glass artists.

A moment before the applause. Katherine lifts the curtain on the rituals behind floral perfection in this piece: vases poised, blooms bursting, secateurs resting after their work is done. She captures the hum of preparation – clipped stems, scattered cuttings – celebrating the beauty of process as much as the final display.

Darkness broken into pieces, a glow at the horizon where the day gave out. Llenyd’s figure doesn’t demand to be found – it waits. The blocks hold the shadows in. Some clarity, it turns out, only comes when the world finally quiets.

Forged from cast steel on stone, this sculpture is a testament to the artist’s lifelong exploration of material, movement, and form. Every angle offers a new perspective, revealing unexpected shapes and shadows that shift with the viewer’s gaze. Both theatrical and mesmerizing, this work embodies the tension between strength and fluidity – a balance perfected through a lifetime of experimentation.

A serenely intriguing sculptural glass work piece displaying raw talent, ideal for a contemporary setting.

A polished ribbon of stainless steel appears to hover as it twists above a square-cut dark stone base. The contrast between weight and lightness creates a sense of suspended motion, as though the steel has been caught mid-flow, balancing elegance with quiet strength.

A moment captured in the eye of the artist, producing a memory for those who have been there. Anyone who has been in the South Island of New Zealand knows the light is different magical and glowing, and producing hues that softly go from one depth to the next. While in some locations that blend the colours, here it defines them, layer upon layer – which is exactly what Alexandra creates.

The gaze lifts through the rose bush to glimpses of blue skies beyond. Flowers and foliage part like a curtain, letting light pour in. Katherine captures that small, uplifting moment in the garden when looking upward changes everything – colour brightens, space opens, and the painting breathes with air and possibility.

A whisp of movement, elegantly manipulated to be a stylish and slender desirable wall object, perfect where walls want to grab some attention and be seen. Ray’s amazing ability to make engineering, art and craft meet allows this beautiful piece to shine in its simplicity, and just be.

A heads up to the past, this work blends modern materials with intriguing proportions. A significant piece in any home,

A night sky opens across the top of the canvas, blue giving way to luminous circles that feel more like memory than constellation. Below, colour gathers and shifts – deep, saturated tones at the centre, softening outward like light dispersing at the edges of a dream. The effect is quietly intimate, as though the earth itself is holding its breath beneath the stars, waiting to be noticed.

There is simply no comparison to this highly personalised and unique painting. A spectacular depiction with notes adoring.

An inward landscape of shadow and flickers – moments of clarity pushing through the haze. It feels like searching in the dark, guided by small sparks of brightness that hint at what lies just beyond reach.

Dusty pinks and grounded earth tones form a gentle rhythm – almost serene. But a sudden streak of blue breaks through, bold and electric, refusing to conform. The scene holds together, just barely, as if shaped by a willful force of nature demanding to be seen.

A rolled fragment of institutional memory becomes something intimate. The faded University of Auckland stamp whispers of ownership and circulation, while the bold, sideways END interrupts like a final chapter arriving too soon. Mickey turns this weathered document into a meditation on beginnings and endings, where history curls in on itself.

A descending snowfall cascades down this indelible sculpture, melting away in spring time told in the language of glass.

A vessel to calm the senses with its serene symmetry, Fragmented Order has an earthly texture that will occupy the mind.

Comprising three towering, slender prints, Simon’s piece unfolds as a meditative sequence. The scenes do not align, encouraging a gentle, unhurried viewing. Canoe forms appear in two panels, drifting within generous white space. Monochromatic and poised, the work creates a deeply calming rhythm – a spatial and emotional pause shaped by balance, breath and quiet connection.

A bold upside down garden, taking the still life to another dimension. His influences by contemporary artists are clearly visible, and his love of pop culture is proudly displayed in his use of colour and composition. Aaron is a confident painter; he didn’t find the need for a title for this piece – maybe you can?

Simon’s finely crafted work embraces a minimalist aesthetic, with a carefully curated arrangement of lines, layers, and forms hinting at deeper possibilities. This elegantly presented piece stands confidently on its own while also serving as a bridge between different mediums and themes, acting as the thread that ties the narrative together.

Waghorn divides space and mood in this piece – cool blue meets heated red. A tree anchors the left; an ironing board with a vase of flowers floats mid-right. The pops of colour spark against the background, hinting at beauty and tension within the blur of domestic space.

As the light hits this Soft Pipe Vessel, the feminine curves shine thanks to an effervescently soft, purple velvet piping.

A sweeping branch is forged and galvanised into life by a master metalworker in the foothills of the Waitakere forest.

Part of Ara’s exploration of Mesopotamian myth, reimagined into new, fictionalised form. Wrapped in a deep blue glaze that parts here and there to reveal gem-like layers beneath – like a crystal cracked open. Two gold wings drift down from the shoulders like feathers – and a single evil eye lies tucked within, watching quietly. Stunning!

There is simply no comparison to this highly personalised and unique painting. A spectacular depiction with notes adoring.

Gold and brown build and break in warm, layered strata – nothing like the sea you were expecting, yet unmistakably wave-like in its momentum. Markings multiply and recede, lines repeat like the memory of motion. The mauve that slips through is quiet, almost tidal. Less a depiction of waves than a record of what it feels like to move through them.

Painted on harakeke, held in a vintage ceiling baton frame that’s clearly seen a different life before this one. Against the dark, a shield-like form takes centre stage – rope-edged, oar-like feathers either side, a tree trunk running through like a spine. It has the quiet authority of something ceremonial, even if its exact ceremony remains its own business.

A free and abundant arrangement with a contemporary twist, brimming outward and unconstrained.

Carpenter works with moody, earthen tones and elusive lines to explore how colonial legacy lingers. The line becomes a metaphor, at once boundary, history, and unraveling. Under the surface, something insists on being seen. Uncovering Line peels back the paint, and perhaps a bit of history too. What’s hiding under your tidy narratives?

Deep in the Whirinaki forest, Billy channels David Hockney’s elegant pool paintings but with a kiwi summer twist.

A radiant blend of red, pink, and gold rises across the canvas in waves of warmth and motion. Amid the abstraction, a faint, shifting form teases the outline of a figure – or perhaps it’s simply colour caught in a moment of stillness. There’s a quiet tension here – as if the painting itself is caught in the act of gathering strength. Luxurious and ambiguous, the work invites the viewer to project, reflect, and feel their way through its blurred boundaries.

This figurative sculpture is delightfully domestic, capturing a child-like freedom of form with a light heart.

An abstract feminine figure crosses through the centre of this striking work, reaching outwards, moving beyond the page.

Damian takes the traditional still life to a more pared-back, more relevant artwork. The traditional composition and arranging remain, but each work, such as in Thurm III, is tagged or marked or labelled. This is a play on the traditional masters of still life….all is not as it seems. In that though, there is admiration and respect for the techniques still applied today. The charm remains, and the beauty of his works are as endearing as ever.

Hand-blown, cut, and carved, these sophisticated glass pieces invite viewing from all angles, showcasing Greg’s 3D artistry.

In this series, Kurth explores the way we see and interpret everyday objects, capturing the tension between abstraction and representation. Each mark responds to the one before, building layers of meaning that shift and evolve. His paintings invite the viewer to experience a flickering perception, where familiar forms dissolve and reassemble, opening the door to new ways of seeing the ordinary.

Three pale volumes rest like figures in a portrait, the central spine glowing with its gold-embossed title. Their worn surfaces speak of years of handling and rereading. Mickey transforms these aging books into a scene of hushed reverence, where the promise of story waits patiently to be awakened.

Hana Carpenter uses the language of painting – moody, earthen tones and elusive, shifting lines to question the ways colonial legacy leaves its mark. In Retreating Line this line doesn’t flee, it reconsiders. It pauses at the edge, pulling back from certainty. Is it an act of refusal, or a moment of reflection?

Lucy works across multiple pieces at once, and you can feel it – colours moving between canvases like a conversation still in progress. Here, soft earthy tones settle alongside deep steel blues and the occasional flash of sunflower yellow; olive greens and warm browns find their way to each other against all odds. Lucy has spoken about her love of pairing colours that have no business getting along – and making them not just coexist, but belong. Promise does exactly that.

A figure leans away, eyes closed, caught between surrender and stillness. Surrounded by dark, raw brushwork, their pale form glows softly – like breath held in a storm of thought.

With deep brown undertones breaking through a thick, crusted white glaze, this piece resembles the parched, cracked surface of a dry desert. The textured layers create an almost geological effect, as if time and nature have sculpted the piece, leaving behind a landscape both rugged and mesmerising.

Lush and vibrant, this piece pulses with energy beneath its textured white shell. The underlying greens, yellows, and hints of red create an interplay of colour that feels both organic and otherworldly – like a hidden garden emerging from a late winter frost.

The unmistakable curve of Ahipara beach sitting under candy-like clouds that could be gathering in sunrise or sunset.

Etched with the quiet gravity that only intaglio can hold – every line a little worn, a little haunted, like it’s been waiting decades to be looked at. A woman meets your eye without flinching, a white dove balanced on her hand as if it landed there mid-thought and simply stayed. Set in an oval oak frame, small in size but not in presence. Some pieces whisper; this one holds perfectly still and waits for you to lean in.

A softened palette and overarching forms combine Simon’s Māori and Chinese heritage to create a space for contemplation.

Jimenez orchestrates an explosive constellation, brimming with beauty and mystery whilst being mesmerizing and captivating.

Serene and meditative, Te Au is a reflection on journey, identity, and connection. Kaan delicately constructs seascapes where land, water, and sky dissolve into one, anchored by the presence of the waka. The curved form, what Kaan calls a ‘wing-tip’, is both canoe and feather. In te reo Māori, au holds many meanings, but here it evokes the wake of a canoe, a poetic metaphor for the ripples we leave behind as we navigate through life.

A body emerges, blurred and broken, from a storm of blood-red emotion. Three faces, turned away from each other, fracture the space – grief dispersing in every direction. This is not a single feeling but the tangle of them: mourning, crying, pain – layered, shifting, unresolved. The figure doesn’t speak. It aches.

The soaring sense of freedom and sacred guardianship from this piece, weaves deep emotional ties to water’s nurturing, cultural spirit. It sparks a vibrant reverence, blending isolation with unity, as if swimming alongside ancestral protectors in a luminous, aqueous dance.

Thick, expressive gestures weave greens, blues, and muted pinks into a composition alive with emotion. The work pulses with honesty – each mark a release, each hue a breath. It captures the essence of presence: the felt, unspoken dialogue between heart and whenua, between inner landscape and the world it mirrors.

Garry strips the palette back to shadow and silence, letting texture do the talking. He works the surface with quiet intensity, layering and excavating to reveal something raw and elemental. A single luminous point anchors the composition, catching the eye like light on metal, or a thought breaking through noise. Abstract yet visceral, this is painting as excavation – of surface, of meaning, of mind.

Loosely inspired by a rainbow, colour and line draw the eye to the centre of this uniquely formed platter.

A face emerges, half-formed, from Griffiths’s sweeping black strokes – eyes lost to movement, identity momentarily blurred. A fleeting gesture, part memory, part dream.

Jeff has the unique ability to visually soften hard material, delicately arranging it, as seen in his sculpture Floral.

A quiet rebellion in a blur of brown and black. Unsettling Line doesn’t shout, but it doesn’t sit still either. Why does discomfort so often trace the same path? Hana uses the language of painting – moody, earthen tones and elusive, shifting lines to question the ways colonial legacy leaves its mark. The line is not only a formal device, but a metaphor: for boundaries, histories, genealogies, and undoings.

A gloriously lush undergrowth rises from the canvas, rich greens and floral forms reaching upward to envelop the moon. Cosmic yet intimate, Double Vision reflects Kate’s vision of the natural world as something sacred and interconnected. A quietly urgent celebration of nature’s beauty – and our place within it.

Known for his iconic commissions of animals, large public public displays and intricate flower bouquets, this Mahoe leaf begins as a screen-printed design, then cut to achieve the look of a leaf on the forest floor. Hanging just proudly off the wall, the delicate steel cutwork responds beautifully to changing light, radiating joy both day and night.

All of the Mahoe Leaves are individually made, please allow for 3-4 weeks time. The dimensions will change slightly, as will the colouration This is the artist’s desire in order to keep each piece special and unique.

A fleeting instant frozen in time: catastrophe and disruption captured in the vast ocean’s blue expanse.

In Di’s masterful glass sculpture, the inhale and exhale is frozen in time like ice. A truly seductive sculptural piece.

Shane’s response to the 50th anniversary of Apollo 11’s moon landing, marveling at the incredible achievement and its lasting astonishment.

Warm light spills across Matt’s painting, settling gently over the land as if remembering it. It’s like a memory made luminous – where sky, land, and shadow converge in a quietly cinematic moment of stillness and awe.

Before the world catches up, there is this. Molly doesn’t just paint the sky – she embroiders it into existence. Dark swells break open with burning hues, colour that refuses to stay still. This is dawn as it actually feels: alive, tender, and over before you’re ready.

Proportions of shapes and balancing colours are the language for Laura’s canvas. Her inspiration often alluded to in the title and visible in the mood of the colours and size provide spectacular pieces of boom! joy or gentle softness, allowing for a space to be enhanced and convey Laura’s message right into your heart.

Undulating movements guide these unique material forms. Bends and folds echo their surrounding environment always in flux.

Ray’s dancing forms dance across a wall with a performance that changes from day to night as shadows that come and go.

Cruz draws on his fascination with the cosmos here. Dark sweeping tones give way to a trail of white – constellation or coincidence, it’s hard to say. This feels like the vast, quiet moment of two things finding each other again across an enormous distance.

A luminous interplay of past and present, this work layers a 3D model of the alien-like Anthurium lily over a fragment of Nicolas Chevalier’s 1861 landscape. The vivid reds and layered greens recall Gordon Matta-Clark’s sculptural sensibility, while the softly glowing mountain grounds the composition in a colonial imaginary. The result is a collision of forms and times, where the botanical becomes architectural and the landscape both shimmers and unsettles.

This high contrast, cinematic study of Auckland’s Durham Lane reveals the subtle features of an urban landscape.

A river of gold winds through the composition – bright, insistent, seemingly lit from within. Around it, the landscape blooms in colour, dense with mark and motion. This is not a quiet dream but an exuberant one: full of forward movement, generous light, and the particular electricity of a vision held in common. It hums.

This is one of those pieces that completely draws you in. Though it appears straightforward in technique and subject, it takes you to a deeper, more intricate space where time seems to stand still. Vibrant in both color and composition, this isn’t just a photograph – it’s a stunning eye catcher you’d proudly display in your home and collection.

One of Ara’s fictionalised ‘Poet’ deities, born from his continued dialogue with the histories of present, lost and stolen Mesopotamian artefacts. Eccentric in form and rich in gold, it’s a wonderful way to introduce a sense of luxe and character into a space, holding its own as a quietly commanding centrepiece.

A warm red flower blooms across torn paper, its many petals revealing a yellow heart. There’s something charming about the scale – intimate and perfectly formed. Liam brings his signature meticulous detail to this small piece, finding profound beauty in fleeting botanical life. The torn paper edge adds to the sense of fragility his work explores so tenderly.

Greg’s hand-blown, carved vessels are stunning, especially with the juxtaposition of the organic matte hand-carved top with the vessel’s blown, glossy base.

Bursting with colour atop the deep black ground, it radiates energy and life. Gold flowers scatter across the surface like light caught mid-bloom, set against a field alive with pattern and rhythm. It’s one of Prakash’s most vibrant works – a universe rendered not as vast and empty, but as generous, warm, and in constant bloom.

In Shall I See, the Hare gazes into a dark void mirror, prompting viewers to examine their reflections.

Layered and beautifully detailed, Janette’s painting features vibrant colors and depth. Flowers and birds reveal more the longer you look.

Jamie works in the world of surreal and realistic, equal mastering both. In his series consumed by clouds and smoke, it is not easy to determine the actual situation of what is going on – and this is what Jamie wants to achieve. The uncertainty, the slight questioning and the getting lost in the painting is a wonderful feeling to make his art timeless, striking and enjoyable.

Crafted from American white oak, this sculpture carries the essence of driftwood washed ashore, shaped by time and tide. Inspired by a piece of work Ray created some time ago, it revisits familiar forms with a renewed perspective. The flowing curves and interwoven layers mimic the gentle folding of waves, capturing the rhythm of the ocean in timber. With its organic movement and natural warmth, this piece invites touch and contemplation.

This painting grounds itself in quiet tonal shifts – grey dissolving into green, then settling into the warmth of earth. The surface holds the patience of endurance, each gesture a mark of devotion to place and process. It speaks of constancy – of the whenua’s enduring pulse beneath the transience of weather and time.

Zoom in on a floorboard and voilà – wood-borer doodles become cryptic messages, lovingly routed into abstract memory. Bold colourful squiggles ripple through the wood – a dialogue between chaos and calm.

A textured drift between memory and sensation, where signals flare and recede. Points of intensity gather like half-formed thoughts, mapping the strain of holding onto something that keeps slipping away.

Swirls of blue and white drift toward a gentle centre, where soft pink radiates from beneath the surface. The composition moves like breath – expansive, fluid, and tender. In its rhythm, love is rendered not as symbol but as energy in motion, folding memory and emotion into one continuous, luminous field.

Monique’s iconic style elevated to a large scale, maintaining a focus on texture, reflection and surface tension.

A subtle but evocative portrait that uses paint in a masterful way to observe the way that light can create a scene.

Mustard yellow swirls with sleepy white and squiggled thoughts. Post-nap energy – messy, dreamy, full of leftover dreams and slightly-too-loud ideas. A celebration of waking up slow and painting before you’re fully back.

Inspired by light’s play across the natural landscape, Alexandra captures moods and emotions, evoking serenity and peacefulness in this work.

Velvety purples press and blur against one another until a vibrant orange flare claims the centre. A slender shard of yellow slips through the darkness, like late light breaking the night. The work feels intimate and charged – a quiet unveiling where emotion surfaces and warmth emerges from shadow.

Seven years of ballet as a reluctant student shaped Karin more than she expected, leaving her with good posture and a story she’s returned to here. The background stays pale and open, marked by loose white gestures and fine black scribbles. Just a touch of pink appears, a quiet nod to pointe shoes rather than a literal record of them.

A stainless steel ribbon gracefully meanders, showcasing joyful curves and the mastery of crafting fluid forms with unforgiving materials.

If you are seeking solace at the end of the day, or want to wake up to a serene feeling every morning, then this piece will deliver. Simon Kaan’s way of combining a soft palette, repetition of proportion and intriguingly delicate motives are destinations to get lost in.

Red dominates – fervent, almost holy. A faint cross divides the space, its centre holding the ghost of a figure, that disappears at the edges. The painting hums with renewal and loss: a resurrection undone, a body dissolving back into colour, as if grief could bloom again as light.

Perched butterflies are graced with the delicate textures of metal work, a poetic interpretation of their fragile wings.

Anton sculpts with elegant simplicity, crafting materials into striking forms that balance profound depth with effortless beauty.

The city scapes of Matthew’s realistic artworks can take you on a trip down memory lane; a time when you were cool and lived in the inner city, out every night for dinner and living the life! The architectural angles, so beautifully and accurately captured, bring a timelessness into each work he creates, while capturing that moment in the day where the light hits from your favourite angle.

A clever contemporary take on an ancient form, Sarah’s hand built ceramic vessels are an inspired choice for any setting.

The sun radiates at the centre of a horizon gently divided into bands. A canoe appears twice – near and distant – drawing the eye into a quiet sense of movement and return. The repetition creates a contemplative pull, inviting viewers to pause, breathe, and feel suspended between memory, journey and possibility.

Structured like the panes of a window, this work invites us to look through a series of shifting scenes – each panel a fragment of colour, emotion, and rhythm. Some are soft and luminous, others bold and vibrant. Together, they form a mosaic of memory and mood, echoing the layered, musical quality of Kerr’s practice. Not one fixed view, but many – refracted, abstracted, and alive with presence.

Three interconnected panels unfold like magnified wetlands. Acid-washed cyanotype blooms across the board in shared tonal rhythms, suggesting tidal residue, and slow biological processes. Joined physically and visually, the works read as a single organism – fragile yet persistent – where time and material quietly collaborate.

Exploring entanglement and connectivity with captivating light play and intriguing negative space, this piece is perfect for wall or table display.

A dazzling photographic process works to create translucent colours that fold to create an unforgettably vivid depth.

Caught mid-step, a woman moves through a gritty cityscape marked by worn paint, weathered tarmac, and a soft pink pavement. Every detail underfoot tells its own street story.

A brilliant pink backdrop bursts with colour drops that scatter and bloom across the surface. When Dreams Come True feels exuberant – an unfolding of joy, energy, and possibility.

Encircled, the figure of a woman victoriously holds up a golden branch offering peace and abundance to an interior.

An example of the artist’s true talent with glass. Let your eyes get lost within the depths of this incredible vessel.

The bold, gestural strokes of this piece infuse the room with vibrant energy, serving as a unifying element that ties a collection together. It’s the kind of artwork that makes you want to move when you look at it, as you can almost feel the artist’s confident, inspiring motions with each brushstroke.

A small ceramic jar sits quietly at the centre of the composition, its glossy surface catching light, a cork stopper resting slightly askew. Familiar and unassuming, the object invites prolonged attention. Through restraint and careful balance, the painting transforms the everyday into something gently uncanny, where stillness, reflection and close looking allow subtle shifts in meaning to emerge.

Price’s work explores self-perception and the way recollections fracture and reform over time. The silhouetted figure drifts through bold, layered terrains – where places blend and unfold through fluid, expressive brushwork. Constantly shifting and refocusing, these scenes offer new ways to encounter the world, prompting you to consider how reality is shaped by our physical interactions with space and the evolving nature of memory.

A single continuous green line meanders across a rusty orange ground, evoking both geological strata and a wandering signal. The restrained palette suggests depth, heat, and buried movement. The line feels intuitive and bodily, tracing an unseen path beneath the surface—part mapping, part meditation on what lies hidden but active below.

Soft expanses of pale blue give way to quiet discoveries at the edges – a golden whirl of squiggles, a patch of green scored like tallies. Blue becomes a meditation on space, both serene and playful.

Encircled, the figure of a woman victoriously holds up a golden branch offering peace and abundance to an interior.

A collaboration between artist and awa, this photograph is both a visual record and a poetic statement on land use, ownership, and the fragility of freshwater ecosystems. A beautiful reminder of our impact on nature – where pollution meets art, leaving behind ghostly red echoes of the unseen.

Deep in the dark of the canvas, something ascends. EK builds upward through shadow and pattern until the bird emerges – glowing, wings wide, entirely uncontained. It doesn’t ask permission to be magnificent. It simply is.

A childhood memory of a Chagall poster lingers behind this piece – not the angel itself, but the sense of something descending from above. The pale blue ground has a restless energy to it, as though caught mid-movement, while black outlines settle into opposite corners. Wings, perhaps, though abstract, enough to suggest presence without ever confirming it.

This limited edition screenprint, with a delicate gold ink overlay and hand embellishments, captures the fleeting beauty of the Hydrangea macrophylla in bloom. Known for his botanical works, Gerrard titles each piece by the location where the flower was discovered, creating a deep connection between place, memory, and time.

A brilliant red relief sculpture that challenges you to ask, can we, like this material, adapt to a world always in flux?

Feather-like lines and looping circles bloom through fields of violet and yellow. In Purple Song, repetition feels playful, almost melodic – colour rising and falling like notes, rhythm cascading into ornament. The work hovers between structure and improvisation, a song composed in motion.

Raincoats, chatter, and a whisper of light – this urban moment captures friends in motion and strangers waiting still, lit briefly by the city’s shifting glow.

Steel, bronze and copper are worked with artistic precision to tell the story of a freshwater fish under the night sky.

A mesmerizing imprint of nature’s resilience – Waxing Gibbous to Waxing Crescent captures the river’s shifting rhythms, leaving behind traces of beauty in its raw, unfiltered truth.

Wide blue strokes move with real conviction, darker blue surfacing here and there like a second thought, while a band of green holds the bottom steady. There’s a weight to it, something more serious than sentimental – a moment brief enough to name exactly, but clearly long enough to matter. Some memories take a lifetime to paint; this one, it seems, took only an instant to earn its place.

Dripping paint falls up and down a silken canvas, with an incredible, fresh contemporary energy.

The memory of a sunset kissed landscape on a family voyage to the family bach leading to a place of sanctuary, adventure, hope and reset. The soft colours of sky, ever changing and yet captured here in a moment of the artist’s eye, which becomes your moment as you love the artwork for years to come.

Peter creates these absolutely luxurious pieces with matt black glaze and internally adorned in 22-carat gold – a testament to opulence.

An exquisite installation merges glossy and matte surfaces, creating a stunning contrast that highlights sculptural form and surface intricacies.

A metre-wide circle of Totara, built from identical parts that add up to something bigger than their forms let on. Repetition becomes rhythm, and rhythm becomes a full, impressive orbit on the wall.

Yellow blazes as foundation and force, while vivid markings pulse outward across the surface in overlapping arcs and clusters. Colour here is structural – not decorative but generative, producing its own energy. Stand before it and you feel the ground shift slightly; the rhythms don’t stay on the canvas. They travel.

A captivating sculpture with interesting surface textures, captivating play of light, delving into themes of entanglement and connectivity.

Sun-kissed and on the move – two figures stroll through a burnt-orange cityscape with just a hint of blue. It’s summer in the city, caught mid-crossing.

Peter’s evident expertise shines through in crafting beautifully shaped, hand-thrown orb vessels, where vibrant colors make them standout pieces in any room.

A white square holds a glowing pink centre, but look closer – those edges blur in the most intriguing way. Straight, but soft. Angular, yet gentle. It’s one of Karyn’s favorites, and it’s easy to see why: she’s found tenderness in geometry, making hard edges feel unexpectedly dreamy. The work glows with a quiet magic, exploring how basic shapes can create surprising emotional resonance.

A captivating painting, where deep blue strokes swirl with subtle accents. Layered and unlayered, Bolima’s painting reflects organic evolution and environmental sensitivity, blending deliberate technique with spontaneous expression in a mesmerizing dance of colour and form.

From the softened hues of a timeworn painting, delicate outlines emerge: abstracted flora cut from absence and light. These translucent forms hover over a yellowed ground and its narrow path, transforming the scene into a study of incision and trace – an act of papercut as both gesture and memory.

Two figures rest their heads together, eyes closed, surrounded by white petals, feathers drift from the blooms. Liam’s intricate charcoal and pastel work uses muted tones to create something that’s deeply tender. It’s a meditation on stillness and transience, where human intimacy and natural fragility intertwine beautifully.

A sweeping branch is forged and galvanised into life by a master metalworker in the foothills of the Waitakere forest.

Rich with detail, this piece unfolds in waves of bold blue lines that slide and swoop across the canvas. Hundreds of circles – some translucent like bubbles, others solid, draw the eye into constant motion. Layered over the composition is a repeating, floral-like gold print, bringing structure and ornament to this energetic, time-infused work.

Jamie’s signature cloud-like forms drift across the canvas in a soft, cinematic haze. Muted greys and purples are punctuated by flashes of bright pink. His intuitive use of colour and subtle blur creates a dreamlike atmosphere, balancing stillness and movement with a quiet sense of play.

Peter has long created harmonious, hand thrown orb vessels that are soft and dreamlike, yet statement pieces in any room.

A dramatic explosion of black, arrested by sweeping gold brushstrokes and metallic speckles that glisten in the light. Rooted in Cruz’s signature technique, this piece pulses with cosmic energy and tension – a bold, luminous statement for luxe interiors.

Precision in placement, patience in selection and a feeling for colour form the foundation of Fiona’s work. Initially simplistic from afar, the closer you get, the more intricate, layered, and complex the work unveils itself. With her feathered work, Fiona combines her heritage with her passion for circular forms or symbolism crossing cultural barriers. From small, intimate pieces to large-scale showstoppers, Fiona astounds in her dedication to her art form.

Neal’s luxurious and poetic magnolia is a fine choice to any space, suiting a low lit or dark painted wall to shine from.

While no single person can ‘own’ a form, the Quatrefoil seems to own Max. With his signature shape, he manages to tell a different story within it by using different colour palettes in his gestural brushstrokes. ‘Flamingo’ is a party on paper with vitality and fun, movement that speaks music and good company, perfectly placed in a home where such is the norm.

Crimson, yellow, blue, and violet collide in a dense field of repeated lines and swirling marks. Perception brims with sensory charge – vision stretched to its limits, the eye pushed to register more than it can hold. The painting is less an image than a state of heightened seeing.

Peter evokes subtle beauty with bold statements. His refined minimalism brings sheer delight to minimalists of our world.

Skilled stone carver Chris presents an anchorstone work, referencing the flowing waters of Tīkapa, in the Hauraki Gulf.

A black feather stands tall, its tip dipped in white. Simple, upright, and quietly dramatic – set in a vintage frame with history of its own. Less a feather than a small, elegant argument for movement, caught in the second before it either lifts off or settles.

The night sky, the colours of nature in the soft hues reflected with the moonlight, and the sensations of scent and touch, and you are suddenly in Nightshift, a beautiful artwork to be in your environment.

With mastery with this exquisite golden piece with raise emanating light to dance and play off the intricate line work inside.

Fiona’s circular piece, crafted with layers of earthy-toned peacock feathers, radiates quiet strength and winter’s stillness. Viewed from afar, her mandala appears solid; up close, the intricate feather details reveal themselves. Drawing inspiration from traditional Māori kahu huruhuru, Fiona has honed this featherwork technique for over 20 years.

Abstraction has a way of getting into your heart—you see so many different things in it, especially when presented with so many delightful aspects in one artwork, as Deborah Moss demonstrates. Her colour palettes change in mood in response to the natural surroundings of her studio, and as such, so will your mood.

Adventure hums from the shelf with titles that promise mischief and discovery. Five tightly stacked red spines – scuffed, softened, and familiar – conjure childhood escapades and well-thumbed tales. Mickey’s close gaze transforms these humble books into icons of shared memory, nostalgia, and the enduring thrill of story.

Repetition becomes reverence in this masterpiece by Palmer. Each petal a meditation on beauty, fragility, and the quiet power of close observation. The modular composition invites you to move between the parts and the whole, echoing the way nature’s intricacy is both intimate and expansive.

This monotype features a tightly coiled electric blue swirl against a dark blue field. Zara’s deliberate yet spontaneous gestures reflect a deep engagement with process, where colour choice and pressure shape the final form. The compact motion suggests contained energy, still reaching past the paper’s boundaries.

Big blue circles frame the bold memory of a fierce toddler in a matching blue dress. In Fuengirola after a lively tapas feast, young Maria exuded undeniable confidence. At barely three, she broke free from the safety of her parent’s hand, striding determinedly toward her own little adventure. The painting captures that moment of wild independence – a spirited declaration of self, wrapped in swirling blues and the courage of a tiny rebel, ready to explore the world on her own terms.