Rachel captures the colours of the rising sun in her brain and almost whispers this captured image onto the delicate porcelain vessel. Of course, what actually happens takes place over numerous hours: throwing, slip casting and then hand-painting on each individual piece. It is the sunrise in 3D.

A serenely intriguing sculptural glass work piece displaying raw talent, ideal for a contemporary setting.

Fiona’s circular piece, crafted with layers of earthy-toned peacock feathers, radiates quiet strength and winter’s stillness. Viewed from afar, her mandala appears solid; up close, the intricate feather details reveal themselves. Drawing inspiration from traditional Māori kahu huruhuru, Fiona has honed this featherwork technique for over 20 years.

Cruz is deeply fascinated by the night sky and the stories written in the stars. His travels have strengthened his connection to his heritage, often reflected in his art. While his work may appear tonal, the subtle layering and beautiful blue and grey tones reveal his passion for colour theory, particularly evident in Lovers Sky. His pieces are refined and rich—evocative yet deceptively simple, with hidden depth that unfolds upon closer inspection.

Proportions of shapes and balancing colours are the language for Laura’s canvas. Her inspiration often alluded to in the title and visible in the mood of the colours and size provide spectacular pieces of boom! joy or gentle softness, allowing for a space to be enhanced and convey Laura’s message right into your heart.

Alive with fluid green movement, this work listens deeply to the whenua’s pulse. Each mark hums with ancestral vibration, echoing the invisible sound waves that shape land and body alike. Through layered gesture and shifting tone, the surface becomes a living field of resonance – an embodied act of hearing through the earth.

No two vases by Höglund are the same, as Olga hand blows each incalmo piece to life. Beeba 11 is bold and individual.

The beautifully fine work on paper is a pared back vision of Simon Kaan’s work – a curated collection of line, layers and form suggesting there is more to come. This well presented piece stands on it’s own, or as a connector between mediums and subjects – the piece that holds the narrative.

A collaboration between artist and awa, this photograph is both a visual record and a poetic statement on land use, ownership, and the fragility of freshwater ecosystems. A glimpse through nature’s veiled memory – this piece captures the beauty and fragility of our changing environment, suspended in time like a fleeting reflection.

Cathy Carter uses her work to tell the story of changing times, and yet this is one of those pieces you get utterly lost in. Seemingly simple in method, it transports you to a far more complex place where all concept of time is lost. Stunning and intriguing colours, folding and reflection, this is no simple photograph – it is a work of art you are proud to have in your home and collection.

A chorus of greens and yellows threads across the canvas in lines that repeat and reverberate. In Green Song, rhythm becomes vision: the eye stutters, the surface hums, and patterns emerge like sound waves caught mid-flight, vibrating with both harmony and dissonance.

A photorealist painting that shifts our sense of reality, assisted by a slight blur, adding to the mystique of this piece.

Sanctum adds another dimension to the atmospheric landscapes of Aotearoa, combining it with a human element that queries the reality of what you are seeing. The abstract interpretation and the visionary perspective of a profound thinker transforms them entirely. This is why people surround themselves with art – to experience the world through the distinctive lens of an artist.

A brilliant red relief sculpture that challenges you to ask, can we, like this material, adapt to a world always in flux?

Delicate and immersive, this piece exudes a dreamlike quality, drawing you into its depths. Layers of oil paint float above a fluid acrylic base, with the artist using turpentine-soaked brushes to gently dissolve sections of colour – like uncovering hidden histories beneath the surface. Dry brushing reveals intricate textures, exposing the raw weave of the canvas and creating a sense of time and erosion within the composition.

The memory of a sunset kissed landscape on a family voyage to the family bach leading to a place of sanctuary, adventure, hope and reset. The soft colours of sky, ever changing and yet captured here in a moment of the artist’s eye, which becomes your moment as you love the artwork for years to come.

Viewers will get lost in Garry’s timeless yet contemporary interpretation of an old worldly landscape.

Playground echoes in yellow tones – shouts, laughter, and maybe the ghost of a basketball hoop. You can almost hear the bounce. A flash of childhood freedom, where scraped knees and sticky hands told the stories.

Thick, expressive gestures weave greens, blues, and muted pinks into a composition alive with emotion. The work pulses with honesty – each mark a release, each hue a breath. It captures the essence of presence: the felt, unspoken dialogue between heart and whenua, between inner landscape and the world it mirrors.

Anton sculpts with graceful simplicity, molding materials into forms that suggest profound depth and effortless beauty, imbuing them with figurative essence.

This work evokes beauty through the juxtaposition of the bronze ribbon’s lightness and graceful proportions with its sturdy base.

Solid, simple, and essential – Flay’s sculpture sits perfectly within a minimalist aesthetic.

Bonco’s art is a meticulous symphony of geometry and imagination – hand-painted with countless tiny squares that come together like a mosaic of dreams. Geometry fractures like star charts, revealing hidden patterns and cosmic logic. A small ladder offers a surreal escape route, inviting ascent into another dimension. These works are portals, balancing colour, structure, and imagination in a meditative dance of order and possibility.

Perfect as a floral arrangement or a stand alone piece, Blue Spot Vase is hand built and brings the outside world in.

Delicate, fluid lines flow through space, as if suspended, this bronze sculpture echoes graceful movement drifting with the current. Resting on stone, it carries both lightness and weight, a balance between movement and permanence. Changing and morphing from different angles, it invites you into a quiet, dynamic dance – where space, shape, and perspective are in constant motion.

Land holds its ground at the centre of this atmospheric work, caught between what lies above and what lies below – sky pressing down, a dark mirror stretching beneath. The clouds gather with quiet menace. Garry distils a place into a feeling, and the feeling is one of beauty.

Mandy’s ceramics are inspired by nature’s beauty, with the delicate forms of flowers, leaves, and the sea profoundly shaping her work.

A face emerges, half-formed, from Griffiths’s sweeping black strokes – eyes lost to movement, identity momentarily blurred. A fleeting gesture, part memory, part dream.

Defying gravity, this cast glass sculpture dances in the light, appearing weightless and perfectly balanced in its delicate cradle, showcasing its elegant form and radiating with life. The movement of color and the precise shaping of the icicles remain partially unpredictable, despite the artist’s remarkable skill and expertise. This unpredictability is inherent to the material and the process, adding an element of surprise and delight to the final creation.

Setting the scene for the perfect family space, and invitation into a place where – Home Fun – is one of the most important values. Immediately you relax, can feel a smile coming on and remember that this is where you belong. The day-to-day stresses can begin tomorrow again, so let the chaos and wild fun begin.

The glow that is achieved with the large-scale oil, the perspective of looking into the distance while being present at the moment, and Garry’s moody landscapes of Aotearoa are captured in this intriguing, beautiful painting. What he achieves with the colours and light here is outstanding; it is as much uplifting as it is also haunting. What you see is up to you. Garry’s layering of abstract use of colour brings the brilliant mind of a deep thinker to the forefront- to see the world through the unique lens of an artist.

A delightful pair of ice blocks are in danger of slipping away into a sugary syrup, or even right off the photo paper.

A moment before the applause. Katherine lifts the curtain on the rituals behind floral perfection in this piece: vases poised, blooms bursting, secateurs resting after their work is done. She captures the hum of preparation – clipped stems, scattered cuttings – celebrating the beauty of process as much as the final display.

This piece layers the familiar with the unexpected. Amid muted tones of the flowers, colour forces its way through: bursting from the floor, popping out through petals, pulsing in scattered squares. Waghorn turns quiet interiors into charged spaces, where emotion and colour crack the surface of the everyday.

Laura’s canvas speaks through a language of balanced proportions and harmonized colors. Her inspirations, often hinted at in her titles and expressed through the mood, size, and tones of each piece, create a vibrant impact—whether bursting with joy or exuding gentle softness. Each artwork transforms a space, bringing Laura’s message straight to the heart.

Kathryn Carter is well-known for her beautiful representation of her Northland homeland. She often depicts the islands that rise out of the water, dotted through the Bay of Islands, capturing them at different times of the day in different light. With Cloudscape, she is moving her attention to the sky – equally important in a New Zealand environment.

A haze of blue hydrangea blossoms fills the frame, their forms dissolving into one another through soft, searching brushwork. The painting feels like a memory of colour rather than a fixed view – humid air, muted light, and petals merging in slow motion. It’s an immersion in tone, where calm and movement quietly meet.

Two lamps, two shades, two worlds quietly sharing a bedside. Tori finds the distance between places compressed into a single room – a mural watching over a made bed, art within art. Somewhere between Liguria and the Pacific, home becomes a feeling more than a location.

A stunning small piece celebrating femininity. With a beautiful patina, Content is a balanced and engaging addition.

Not fixed. Not faithful. Carpenter paints with blurred lines and earthy hues to reckon with the traces of colonial legacy. Shifting Line moves like memory: fluid, unreliable, hard to pin down. What if the truth is somewhere in the smudge?

The night sky, the colours of nature in the soft hues reflected with the moonlight, and the sensations of scent and touch, and you are suddenly in Nightshift, a beautiful artwork to be in your environment.

An inward landscape of shadow and flickers – moments of clarity pushing through the haze. It feels like searching in the dark, guided by small sparks of brightness that hint at what lies just beyond reach.

There is simply no comparison to this highly personalised and unique painting. A spectacular depiction with notes adoring.

Lovers of Frances Hodgkins will delight in At the River. It would be at ease in any setting from classic to contemporary.

Steel, bronze and copper are worked with artistic precision to tell the story of a freshwater fish under the night sky.

Perfectly carved wooden forms move in a circular direction They could be branches, feathers, or waves. The flow creating harmony.

Bold, heat-soaked colour spreads and slips across the surface, as if the painting itself is dissolving in the warmth of summer. At its centre, a faceless grey figure emerges, surrounded by restless marks, gestures and dripping paint. The figure feels momentary and unstable, melting into view before slipping back into ambiguity, where form hovers between presence and disappearance.

A masterful metamorphosis of bronze, reaching beyond earth through material ripples in this delightful small sculpture.

Perched butterflies are graced with the delicate textures of metal work, a poetic interpretation of their fragile wings.

Simon’s finely crafted work embraces a minimalist aesthetic, with a carefully curated arrangement of lines, layers, and forms hinting at deeper possibilities. This elegantly presented piece stands confidently on its own while also serving as a bridge between different mediums and themes, acting as the thread that ties the narrative together.

Vertical strokes in calming greens and blues – like time slipping past. Just a few seconds, but everything can change in a moment. Stillness, breath, and a gentle unraveling caught on canvas.

This piece blends swirling layers of blue and white with marble-like depth, creating a space that feels suspended and borderless. Soft currents of paint drift in multiple directions, as though guided by an unseen pull. Fine splatters of volcanic sand break the surface rhythmically, adding contrast and texture. The result is a quietly dynamic work that evokes movement, weightlessness, and the gentle pull of gravity.

A fleeting alpine moment is held in balance as the sun sinks over the peaks. Warm light washes over snow-capped mountains, igniting their edges, while cabbage trees and flax stand in quiet silhouette in the foreground. The painting captures the stillness and drama of dusk, where realism and reverence for place meet in a glowing, suspended pause.

With mastery with this exquisite golden piece with raise emanating light to dance and play off the intricate line work inside.

Inspired by the fragility of our environment, such as in this incredible bronze sculpture that expertly emulates nature.

Kiya’s unique ceramic sculpture is energetic and elegant, like a graceful white ribbon in the midst of falling into place.

Laura’s artistry unfolds through balanced shapes and a symphony of colors. Her inspirations, subtly woven into each title and reflected in the mood and scale of her work, deliver either an exhilarating burst of joy or a serene gentleness. Every piece enriches a space, carrying Laura’s message straight to the viewer’s core.

While no single person can ‘own’ a form, the Quatrefoil seems to own Max. With his signature shape, he manages to tell a different story within it by using different colour palettes in his gestural brushstrokes. ‘Into the Light’ is elegant and perfectly placed within a classical setting and the contemporary icon, or the standout storyteller in the minimalist collection.

Sun-kissed and on the move – two figures stroll through a burnt-orange cityscape with just a hint of blue. It’s summer in the city, caught mid-crossing.

Ben’s steel figures evoke childhood freedom, playing with memory through fluid movement and evocative shapes, stirring deep, emotive recollections.

A quiet portal in deep blue and black frames a pulsing pink diamond – its glow subtle, magnetic. A modest ladder leans gently within the scene, offering a whisper of escape, sideways or inward. Stillness meets surreal possibility in this intimate, otherworldly composition.

Vibrant colors blend oil paint and embroidery in a stunning contemporary painting.

Sunlit warmth glows beneath the surface, where golden hues peek through a crisp, textured glaze. The popcorn-like formations on top create an irresistible tactility, inviting closer inspection of the dynamic relationship between glaze and form.

A diamond certainly blushes as a soft geometric glow plays with your eye with light that could be emanating from within.

Time has left its fingerprints all over this piece. One well-worn volume steps forward from the shadows, its frayed spine adorned with embossed blooms, like pressed flowers saved between pages. Against the darkened shelf, Mickey elevates age, care, and quiet devotion – a tender portrait of books loved, handled, and returned to.

As the light hits this Soft Pipe Vessel, the feminine curves shine thanks to an effervescently soft, purple velvet piping.

A celebration of the beauty in the everyday. Stripped of background context, the vessels take on a life of their own, brimming with vitality and intrigue. What do they hold? Why are they arranged this way? The addition of the enigmatic ‘X’ only deepens the mystery. What seems ordinary becomes extraordinary in Kurth’s hands.

Kate wrapped cyanotype fabric around the trunks of Kahikatea trees in remnant forest, letting dappled light expose the photosensitive surface before soaking it in tannin-stained bog water. The process mirrors the landscape itself – murky browns and faint shadows that reveal themselves slowly, evoking the muddy, earthy qualities of the Waikato’s rare peat bogs, ancient carbon stores shaped over millennia.

Your initial thought might be….a book? But then you find yourself examining it more and more and relating it to memories in your past or a particular experience only to realise you have bonded beyond what you thought possible with a photograph of a book. These pieces sneak up on you like that, and you can’t live without them.

Serene and meditative, Te Au is a reflection on journey, identity, and connection. Kaan delicately constructs seascapes where land, water, and sky dissolve into one, anchored by the presence of the waka and te marama, the moon. The curved form, what Kaan calls a ‘wing-tip’, is both canoe and feather. In te reo Māori, au holds many meanings, but here it evokes the wake of a canoe, a poetic metaphor for the ripples we leave behind as we navigate through life.

Jimenez orchestrates an explosive constellation, brimming with beauty and mystery whilst being mesmerizing and captivating.

Layer upon layer, the composition builds – black, white, grey assembling themselves into something that reads like land pulling free from water, or water reclaiming land. The boundary between the two remains productively unresolved. This is the Kaipara distilled not into image, but into elemental sensation.

A shifting, dreamlike landscape emerges through fluid abstraction. Dark blues give way to greens, pinks, and soft sands, guiding the eye through imagined hillsides toward glistening water. The painting becomes both memory and map – an exploration of how land and being intertwine, and how place reveals itself through the act of knowing.

Quirky green lines drift and move across a pale yellow field, forming shapes that feel provisional and in flux. The surface suggests something lightly held – maps that might vanish, thoughts mid-formation. There is a playful tension between structure and impermanence, as if the image could soften, shift, or disappear entirely with a change in conditions.

There is simply no comparison to this highly personalised and unique painting. A spectacular depiction with notes adoring.

Rachel captures the colours of the rising sun in her brain and almost whispers this captured image onto the delicate porcelain vessel. Of course, what actually happens takes place over numerous hours: throwing, slip casting and then hand-painting on each individual piece. It is the sunrise in 3D.

A heads up to the past, this work blends modern materials with intriguing proportions. A significant piece in any home,

Sleek elegance that is a whisp of movement in the corner of your eye, Accord II is seductive and alluring, setting the scene for the elegance of the home. The tall sculpture is able to morph between classic and contemporary settings, quietly confident that no matter where it will stand its ground.

Kathryn’s background in architecture forms the foundation of her work, alongside her deep love for the coastal environment. The dramatic Northland landscapes, plunging into the sea at steep angles, are scenes that resonate with every New Zealander. With her focus on capturing this essence in her work, she aims to convey the beauty of these shorelines. In the meantime, it remains just a calming, beautiful scene.

Glassblowing is a form of craftsmanship where movement and centrifugal force is part of the process. The Rainbow Platter displays this beautifully, you can almost see the movement as the hot medium is swirled to allow for this centrepiece to be wavey, as well as coloured and wrapped in a black rim to accentuate the design – add to that the softness created by sandblasting the surface, and you have a centrepiece to be spectacular on any surface.

Drawing from abstract expressionism, this monotype print balances intention and intuition through fluid mark-making. Set against a deep blue ground, an electric blue swirl moves loosely across the surface, its energy extending beyond the paper’s edge. Printed on wet strength cartridge paper, the work highlights the material sensitivity and subtle unpredictability of the printing process.

Layer upon layer, each quilt a quiet archive. Tori lingers at the foot of the bed where the fabrics pool and drape – soft records of hands, time, and warmth. An intimate corner of a room that somehow contains everything about where we come from.

Cathy’s digital collage pair holds painterly and cinematic elements bound to transform those who behold them.

The land doesn’t pause for us. Llenyd breaks the scene into blocks of colour – figures present but fleeting, the mountain indifferent and enduring. To observe is momentary. To belong is another question entirely.

Peter has long created harmonious, hand thrown orb vessels that are soft and dreamlike, yet statement pieces in any room.

Inspired by light’s play across the natural landscape, Alexandra captures moods and emotions, evoking serenity and peacefulness in this work.

Molly reimagines the garden with wild brushstrokes, where nature emerges and dissipates in an imaginative, untamed narrative.

Zara’s sweeping, painterly gesture sits well in soft abstract or colourful eclectic settings, a monochromatic meditation.

Earthy textures anchor the surface while dark, viscous drips descend in jagged rhythms, echoing ancient markings or mineral seepage. The work feels archaeological, as if time itself has left stains and traces. There is a tension between control and gravity, suggesting primal mark-making and the persistence of memory embedded in matter.

Seen from above, torn rolls of paper form a landscape of soft cylinders and shadow. The angled composition and stark black lines cut through the image like measures of time. It feels archaeological – a quiet excavation of knowledge, decay, and the physical weight of stored ideas.

The slight curve in the road leads the eye to a hidden city gem – the Pitt St Theatre – bathed in light and framed by a cool palette of blues and greys. It’s like a quiet urban crescendo.

A figure leans away, eyes closed, caught between surrender and stillness. Surrounded by dark, raw brushwork, their pale form glows softly – like breath held in a storm of thought.

Comprising three towering, slender prints, Simon’s piece unfolds as a meditative sequence. The scenes do not align, encouraging a gentle, unhurried viewing. Canoe forms appear in two panels, drifting within generous white space. Monochromatic and poised, the work creates a deeply calming rhythm – a spatial and emotional pause shaped by balance, breath and quiet connection.

A vessel to calm the senses with its serene symmetry, Fragmented Order has an earthly texture that will occupy the mind.

Crafted from American white oak, this sculpture carries the essence of driftwood washed ashore, shaped by time and tide. Inspired by a piece of work Ray created some time ago, it revisits familiar forms with a renewed perspective. The flowing curves and interwoven layers mimic the gentle folding of waves, capturing the rhythm of the ocean in timber. With its organic movement and natural warmth, this piece invites touch and contemplation.

Ben’s twisted steel figures play with memory through movement and shape, conjuring memories of childhood freedom.

Neal’s luxurious and poetic magnolia is a fine choice to any space, suiting a low lit or dark painted wall to shine from.

Kiya manages to dance in the medium of ceramics. Her shapes take on a life form of their own as she works them into their incredibly complex interlocking sculptures and somehow makes that look easy. Stunning as centrepieces or incredibly stylish on hall-side tables, they are contemporary heirlooms. ‘Aqua Dynamics’ shows height through a delightful curl that seems like it is a plant taking off in new growth.

Colour flows in broad, confident gestures – an expressive yet minimalist moment on canvas.

Garry strips the palette back to shadow and silence, letting texture do the talking. He works the surface with quiet intensity, layering and excavating to reveal something raw and elemental. A single luminous point anchors the composition, catching the eye like light on metal, or a thought breaking through noise. Abstract yet visceral, this is painting as excavation – of surface, of meaning, of mind.

Before the world catches up, there is this. Molly doesn’t just paint the sky – she embroiders it into existence. Dark swells break open with burning hues, colour that refuses to stay still. This is dawn as it actually feels: alive, tender, and over before you’re ready.

A rhythmic field of dark motion, this work invites the viewer into a meditation on structure and order. Subtle tonal shifts within the hand-ground pigment evoke a quiet architecture – an abstract mapping of memory, matter, and movement. The circular form holds its energy inward, revealing balance within constraint and depth within restraint.

Cruz is a lover of the night sky and what is written in the stars?.Having travelled extensively, his interest in his heritage and ancestry only deepened, often reflected in his work. Seemingly tonal, the layering also pays homage to his love of the theory of colour, studied at Parsons in New York. His work is sophisticated and rich, evocative and seemingly simple….and yet it is so not.

A quiet rebellion in a blur of brown and black. Unsettling Line doesn’t shout, but it doesn’t sit still either. Why does discomfort so often trace the same path? Hana uses the language of painting – moody, earthen tones and elusive, shifting lines to question the ways colonial legacy leaves its mark. The line is not only a formal device, but a metaphor: for boundaries, histories, genealogies, and undoings.

A highly collectible piece by New Zealand’s top ceramic artist, Grooved Vessel is a refined and charming choice.

This painting grounds itself in quiet tonal shifts – grey dissolving into green, then settling into the warmth of earth. The surface holds the patience of endurance, each gesture a mark of devotion to place and process. It speaks of constancy – of the whenua’s enduring pulse beneath the transience of weather and time.

Jamie’s signature cloud-like forms drift across the canvas in a soft, cinematic haze. Muted greys and purples are punctuated by flashes of bright pink. His intuitive use of colour and subtle blur creates a dreamlike atmosphere, balancing stillness and movement with a quiet sense of play.

Focusing on a single vessel, this piece transforms the ordinary into something compelling. The objects, often overlooked or dismissed as bland, take centre stage, challenging the traditional conventions of still life. Damien’s art elevates everyday items, inviting us to reconsider their significance and beauty. Through this deliberate focus, the seemingly unremarkable becomes a point of fascination.

The unmistakable curve of Ahipara beach sitting under candy-like clouds that could be gathering in sunrise or sunset.

Di is widely acclaimed for her unique and refined style of glasswork. Each piece is unique, with an alluring appeal.

A scene on the way to a bigger scene, Matt paints the moments you wanted to stop and take in on your way somewhere else.

A small ceramic jar sits quietly at the centre of the composition, its glossy surface catching light, a cork stopper resting slightly askew. Familiar and unassuming, the object invites prolonged attention. Through restraint and careful balance, the painting transforms the everyday into something gently uncanny, where stillness, reflection and close looking allow subtle shifts in meaning to emerge.

A painting that envelops the senses petal after petal in the most beautiful, painterly detail that is almost dreamlike.

Like a kaleidoscope, this vibrant reflective sculptural form celebrates possibilities, playing with symbolism, color, light, and overlays to change hues.

A blend of pink and a loyal brown blur – this is Lady, the family boxer, who adored Maria and hoovered up every dropped snack. A dog-shaped shadow following her everywhere. Hugs, drool, devotion, all remembered in joyful swirls.

If you are seeking solace at the end of the day, or want to wake up to a serene feeling every morning, then this piece will deliver. Simon Kaan’s way of combining a soft palette, repetition of proportion and intriguingly delicate motives are destinations to get lost in.

Kiya’s unique ceramic sculpture is energetic and elegant, like a graceful white ribbon in the midst of falling into place.

Feather-like lines and looping circles bloom through fields of violet and yellow. In Purple Song, repetition feels playful, almost melodic – colour rising and falling like notes, rhythm cascading into ornament. The work hovers between structure and improvisation, a song composed in motion.

Anton sculpts with elegant simplicity, crafting materials into striking forms that balance profound depth with effortless beauty.

Ray’s fluid form plays in the third dimension, an entangled performance in mid flight in time that changes with the light.

Peter creates these absolutely luxurious pieces with matt black glaze and internally adorned in 22-carat gold – a testament to opulence.

Soft expanses of pale blue give way to quiet discoveries at the edges – a golden whirl of squiggles, a patch of green scored like tallies. Blue becomes a meditation on space, both serene and playful.

There is a darker meaning to everything that the incredibly skilled Paul Martinson portrays; however, in the meantime, part of his delivery of the message is delightfully surprising. You bond with the pieces so intensely that your imagination starts to actually see the pieces turn into real life—why wouldn’t you see a lightbulb with a fish in it?

Kiya manages to dance in the medium of ceramics. Her shapes take on a life form of their own as she works them into their incredibly complex interlocking sculptures and somehow makes that look easy. Stunning as centrepieces or incredibly stylish on hall-side tables, they are contemporary heirlooms. ‘Something Old, Something New’ is a large piece that stands tall and proud while bringing in shades of blue/grey, beautiful for classical and contemporary settings.

Amorphous II further enhances the organic shape by bringing a folded line into the form, still playing with the organic shape and dappled texture indenting the matt surface. This beautiful shape, together with its partner piece, ‘Amorphous I,’ is a stunning sculptural object that quietly command attention on any sideboard or as a centerpiece. The pieces bring beauty and warmth into a room, working in conjunction with the right wall art to complement and enhance the visual language.

Carved from ancient kahikatea long sheltered beneath Northland’s rivers, this sinuous form moves like a fleeting presence. Its snake-like curves suggest something glimpsed rather than held, a quiet glow that shifts with light and perspective. Drawing on the idea of will-o’-the-wisp, the sculpture evokes mystery, motion, and impermanence – an embodied whisper of the forest and water that once concealed it.

Dusty pinks and grounded earth tones form a gentle rhythm – almost serene. But a sudden streak of blue breaks through, bold and electric, refusing to conform. The scene holds together, just barely, as if shaped by a willful force of nature demanding to be seen.

The fascinating process and methodology of this artwork is an aspect that is visually secondary to the attraction of the work. The depth of colours achieved, the movement and blending – and tension – of them creating alluring patterns and blends, only then to realise that the work tells the story of our changing wetlands and the threat they are under. Beauty can lead to conversation, and this piece does just that.

Where does a line go when it forgets itself? Carpenter works with moody, earthen tones and elusive lines to explore how colonial legacy lingers. The line becomes a metaphor, at once boundary, history, and unraveling. In Diffusing Line, boundaries melt, histories leak, and nothing quite holds. What happens when the edge no longer agrees to be sharp?

A body emerges, blurred and broken, from a storm of blood-red emotion. Three faces, turned away from each other, fracture the space – grief dispersing in every direction. This is not a single feeling but the tangle of them: mourning, crying, pain – layered, shifting, unresolved. The figure doesn’t speak. It aches.

Crimson, yellow, blue, and violet collide in a dense field of repeated lines and swirling marks. Perception brims with sensory charge – vision stretched to its limits, the eye pushed to register more than it can hold. The painting is less an image than a state of heightened seeing.

Composition and light are everything in this confident, contemporary painting by this compellingly collectable artist.

Meaning welcome in Samoan, Malofa is a rich, contemporary reference to island culture through colour and form.

With deep brown undertones breaking through a thick, crusted white glaze, this piece resembles the parched, cracked surface of a dry desert. The textured layers create an almost geological effect, as if time and nature have sculpted the piece, leaving behind a landscape both rugged and mesmerising.

Created during Kate’s residency at Waitawa Regional Park, this photograph uses invasive bindweed exposed to sunlight and a commonly used herbicide, producing its distinctive green finish. The process renders the plant almost like an X-ray, revealing hidden internal structures. Scientific and poetic at once, the image is mysterious, fragile, and unexpectedly beautiful, transforming eradication into quiet revelation.

Mickey Smith’sextraordinary keen sense of irony and careful eye for detail and implication make these pictures sizzle.

In Folding, blues and greens ripple in repeated swirls, interrupted by flashes of yellow. The composition bends and loops back on itself, colour folding into colour, gesture into gesture. The surface feels like a plane in flux – creased, unfolded, and set into motion again.

A contemporary piece to complement and enhance any interior. Hand painted porcelain with gold creates a luxurious surface.

Veronica is renowned for her Japanese washi tape pieces that are highly collectible and visually engaging.

This magnificent painting features layered oil paints, tone on tone, creating rich depths of hue and variations in light and perspective.

The silver leaf background makes the petals pop off the wall, coming into your room in such a reality that you can almost smell the scent. The artwork manages to morph into different art styles, looking stunning as the hero in an otherwise minimal setting to being a quietly seductive piece in a classical setting. You will never tire of it.

A warm red flower blooms across torn paper, its many petals revealing a yellow heart. There’s something charming about the scale – intimate and perfectly formed. Liam brings his signature meticulous detail to this small piece, finding profound beauty in fleeting botanical life. The torn paper edge adds to the sense of fragility his work explores so tenderly.

Pieces of this calibre are sumptuous and passionate. They offer joy, inspire conversation and endlessly captivate.

It may not be immediately obvious that Andrea Bolima draws her inspiration from nature — now turn your attention to the night sky, the colours of nature in the soft hues reflected with the moonlight, and the sensations of scent and touch, and you are suddenly in Nightshift, a beautiful artwork to be in your environment.

Fine, short stitches scatter across the linen, forming a dense field that feels instinctive yet carefully held in place. The surface reads like an overgrown terrain – part path, part thicket – where marks accumulate and gently tangle. Balancing order and spontaneity, the work evokes a quiet landscape built through touch, time and attentive, intimate labour.

Carved from ancient kahikatea long sheltered beneath Northland’s rivers, this sculpture carries the weight of time and renewal. Its faceted surfaces catch and fracture light like a gemstone, revealing warm, golden depths within the grain. Drawing on the form of a pou and the luminosity of carved stone, it stands as both guardian and offering, honouring whenua, ancestry, and quiet gratitude.

Defying nature, this cast glass sculpture dances in the light, weightless and balanced in a slender cradle to show off its form and making the piece glow with life. The flow of colour and the the exact form of the icicles are never completely controllable, despite the immense skill and experience involved. It is the nature of this material and the process, and also the delight in the unexpected.

While many of Garry Currin’s works depict the ever-changing landscapes of the New Zealand coastal environment, he also has a relationship with the moon and the light it throws onto his world. While landscapes can have the reputation of being subdued and expected, add a layer of abstract and the brilliant mind of a deep thinker to them, and this is why people live with art—to see the world through the unique lens of an artist.

Garry’s imagined landscape evokes a stunning atmosphere, where dancing light and a sublime color palette amplify drama and depth.

The sun radiates at the centre of a horizon gently divided into bands. A canoe appears twice — near and distant — drawing the eye into a quiet sense of movement and return. The repetition creates a contemplative pull, inviting viewers to pause, breathe, and feel suspended between memory, journey and possibility.

EK finds the rhythm in rising water – line after line, colour chasing colour upward, then back down in reflection. The fountain doesn’t just flow; it performs. A loop of light and movement that feels, somehow, like joy made visible.

A riot of colour and contradiction, this piece pulses with layered chaos. Yellow light hovers angelically in the top right, while a dark purple shadow spreads from the left, setting the scene. Wings almost emerge at the centre, only to be tangled in black squiggles and crossed-out gestures below. A visceral, volatile painting where beauty and disturbance wrestle for space.

A clever contemporary take on an ancient form, Sarah’s hand built ceramic vessels are an inspired choice for any setting.

Dark strata emerge through dense, tactile gestures, suggesting both geological and emotional compression. Each line carries weight and pressure, revealing time’s imprint on surface and form. The material presence of pigment and gesso evokes a landscape turned inward – a meditation on endurance, force, and the silent power of accumulated impact.

A hazy glow of colour at the centre of the canvas hints at something just out of reach – a warmth you can’t quite name, but still feel. Like remembering laughter without the words, or the shape of a day without its details. Those Days holds space for all the moments that slip through your fingers, yet never really leave.

A figure stands. No face, no name – just presence, and the shadow that proves it. Llenyd asks what it means to exist somewhere; to cast a mark on land that was never simply yours to stand on. The pole divides. The question remains.

Jamie moves effortlessly between the surreal and the realistic, mastering both with equal skill. In his series consumed by clouds and smoke, the true nature of the scene remains elusive—a deliberate choice. The uncertainty, the subtle questioning, and the sense of getting lost in the painting create a captivating experience that makes his art timeless, striking, and deeply enjoyable.

Rich with detail, this piece unfolds in waves of bold blue lines that slide and swoop across the canvas. Hundreds of circles – some translucent like bubbles, others solid, draw the eye into constant motion. Layered over the composition is a repeating, floral-like gold print, bringing structure and ornament to this energetic, time-infused work.

Jamie works in the world of surreal and realistic, equal mastering both. In his series consumed by clouds and smoke, it is not easy to determine the actual situation of what is going on – and this is what Jamie wants to achieve. The uncertainty, the slight questioning and the getting lost in the painting is a wonderful feeling to make his art timeless, striking and enjoyable.

Warm light spills across Matt’s painting, settling gently over the land as if remembering it. It’s like a memory made luminous – where sky, land, and shadow converge in a quietly cinematic moment of stillness and awe.

Employing a classic ring shape, Division symbolises eternity, totality and wholeness. It radiates timelessly from within.

Zoom in on a floorboard and voilà – wood-borer doodles become cryptic messages, lovingly routed into abstract memory. Bold colourful squiggles ripple through the wood – a dialogue between chaos and calm.

The hydrangea blooms seem to emerge from shadow, their weight and density heightened by Katherine’s lush, blurred gestures. This is blue at its most expressive – velvety, enveloping, and almost nocturnal – inviting viewers into a more contemplative garden mood.

These hand-built, sculptural vases embody an organic form, imbued with a playful whimsy and distinctive anthropomorphic character.

Kate’s photograph reimagines landscape-making itself. Gathered from a swollen river thick with sediment and fermented apple remains, floodwater runs directly across unexposed film. What emerges is both abstract and visceral: swirling red tones that transform polluted water into something sumptuous, a process as direct and dramatic as the flooding that inspired it.

This figurative sculpture is delightfully domestic, capturing a child-like freedom of form with a light heart.

Inspired by the frozen landscapes of Antarctica, Ice Bowl is garnished with gold brush strokes. A small yet bold choice.

Cast glass is more than a sculpture, it is a painting captured in glass; so complex is the technique that there is little predictability of outcome in colour and form – yet that is the beauty. Inferno, in it’s rich topaz, gold through to cinnamon colours, plays with artwork around it. It demands attention and wants to be seen, yet doesn’t shout. It doesn’t need to.

Price’s work explores self-perception and the way recollections fracture and reform over time. The silhouetted figure drifts through bold, layered terrains – where places blend and unfold through fluid, expressive brushwork. Constantly shifting and refocusing, these scenes offer new ways to encounter the world, prompting you to consider how reality is shaped by our physical interactions with space and the evolving nature of memory.

Kiya brings a sense of rhythm and grace to the medium of ceramics, as if she’s dancing with the clay itself. Her creations seem to breathe with life, evolving into intricate, interlocking sculptures that exude complexity yet appear effortlessly formed. Whether commanding attention as centrepieces or adding refined elegance to hall-side tables, these works are contemporary heirlooms, timeless in their appeal. ‘Cycle of Energy’ is a striking example with its composition beautifully capturing the fragile, interconnected flow of life’s endless cycles.

Loosely inspired by a rainbow, colour and line draw the eye to the centre of this uniquely formed platter.

An exquisite installation merges glossy and matte surfaces, creating a stunning contrast that highlights sculptural form and surface intricacies.

Mickey Smith’s portrait of LIFE anthologies document a life well lived, making for a thoughtful contemporary photograph.

This piece unfolds as a split self – one side illuminated, the other swallowed in black. Figures blur and reappear, echoing the inner division between knowing and denial. Against a red wall of unease, Tomkins reveals a psychological fracture: the point where identity falters, and the self begins to watch itself unravel.

Layered blue-grey tones exemplify monochromatic mastery – perfect for cohesive, sophisticated collections.

Vivid colours spiral into one another, radiating energy from the centre outward. The surface appears worn, its edges distressed like an aged photograph, introducing a sense of memory and erosion. Luminous and tactile, the work merges cosmic rhythm with the fragile physicality of the photographic object.

A tall, slender slice of horizon, Simon’s work feels like a narrow view drawn out to sea. A canoe’s prow enters quietly, while stacked horizontal lines suggest shifting layers of water, land and sky. The distant sun anchors the ascent, evoking journey, memory and enduring connections to place.

Classical ceramic sculptures and ornate furniture establish European heritage within this tightly framed domestic space. Warm, earthy tones bathe the composition in memory’s golden light, while a lamp nestled among ornaments suggests ongoing life. This work exemplifies “restorative nostalgia,” where memory gathers in objects, and nostalgia becomes a site of both comfort and displacement.

This is one of those pieces that completely draws you in. Though it appears straightforward in technique and subject, it takes you to a deeper, more intricate space where time seems to stand still. Vibrant in both color and composition, this isn’t just a photograph – it’s a stunning eye catcher you’d proudly display in your home and collection.

Two figures rest their heads together, eyes closed, surrounded by white petals, feathers drift from the blooms. Liam’s intricate charcoal and pastel work uses muted tones to create something that’s deeply tender. It’s a meditation on stillness and transience, where human intimacy and natural fragility intertwine beautifully.

Blue Zone unfolds in layered blues that drift and pool across the board, edged in deep green that anchors the work. Her fluid, restless brushstrokes echo tidal motion – shifting, rhythmic, and evocative rather than descriptive. The surface holds a quiet emotional tension: traces of joy, memory, and something once submerged.

Within its precise, layered surface, this work hums with quiet intensity. Countless marks create a unified field of pattern and light absorption, a meditation on repetition and variation. Through disciplined gesture, it transforms black into vibration – revealing how structure, like DNA itself, holds both difference and connection within its ordered complexity.

Capturing the radiant influence of sunshine and summer, with beautiful light dancing over textures, exploring contrasts and experimental marks.

A serene, effortless flow of shifting light and balanced stillness, where the painting slips seamlessly onto the frame. The work radiates a quiet warmth, inviting the viewer into a world where boundaries soften and the atmosphere seems to glow from within.

Cool, calm, and a bit cheeky, this piece makes a splash without trying too hard. Its breezy hue and handcrafted wobble bring laid-back charm and coastal energy to any space.

Red dominates – fervent, almost holy. A faint cross divides the space, its centre holding the ghost of a figure, that disappears at the edges. The painting hums with renewal and loss: a resurrection undone, a body dissolving back into colour, as if grief could bloom again as light.

Velvety purples press and blur against one another until a vibrant orange flare claims the centre. A slender shard of yellow slips through the darkness, like late light breaking the night. The work feels intimate and charged – a quiet unveiling where emotion surfaces and warmth emerges from shadow.

Stunning Pinks with geometric forms to take you on a visual ride. The cast perspex and slightly mind-bending works of Kāryn Taylor are intriguing as well as stunningly attractive artworks. Your eye doesn’t quite know what to focus on, as there are clear lines combined with blurred lines to deliberately confuse.

A masterful metamorphosis of bronze, reaching beyond earth through material ripples in this delightful small sculpture.

An uplifting sense of looking skyward, catching fleeting glimmers before evening settles. The extended frame cradles the work gently, holding the soft rise of light and the subtle shimmer that lingers at the edge of day.

Those wishing to bring a layered piece with a story to tell into their collection will appreciate Bande á part 02.

Beautifully shaped organic forms, dappled with textured indents and grooves on the matt surface, these beautiful shapes of the Pod Series are stunning sculptural objects that quietly command attention on any sideboard or as a centrepiece. The pieces bring beauty and warmth into a room, working in conjunction with the right wall art to compliment and enhance the visual language.

A wire fence marks the foreground, quiet and familiar. Beyond it, green hills drift toward a clouded sky, each contour echoing with the rhythm of place. The scene hums with quiet observation – part memory, part dream.

A fleeting moment on Lake Manapouri, held in shadow and stillness. In soft greys and inky blacks, the painting captures the hush of early dawn – when light is just a whisper and the world feels suspended. The hills are brushed with the faintest glow, the water barely stirs. It’s a quiet breath before the day begins, where everything is calm, cool, and waiting.

Layered and beautifully detailed, Janette’s painting features vibrant colors and depth. Flowers and birds reveal more the longer you look.

This figurative work’s ribbon-like fluidity and light movement embody graceful proportions, artfully integrating negative space.

A soft white veil hovers over the surface, allowing vivid pink dots to pulse through like suspended particles. The imagery recalls mist, breath, or microscopic activity, blurring boundaries between atmosphere and organism. There is a sense of lightness and diffusion, as though the painting is simultaneously forming and evaporating before the viewer’s eyes.

A delicate portrait bathed in a whirlwind of gestural brushstrokes, exquisitely communicating the human experience.

The highly contrasting texture is evidence that the experimentation of materiality is always evident when engaging with Julie Cromwells’ works. This piece delights in form and the crawling glaze that makes its way down the side of the vessel. This piece will compliment any room setting on a sideboard, setting the scene of elegance.

The strong gestural marks of this piece invite an energizing prescence into the room, seamlessly acting as a connecting element to unify a collection. Its vibrant strokes make you want to dance upon seeing it, evoking the artist’s confident and inspiring strokes.

Shaped from river-recovered kahikatea, this work reflects a dialogue between endurance and transformation. Light moves across its angular form, igniting honeyed tones hidden deep within the timber. Merging the presence of a pou with jewel-like facets, it suggests protection, reverence, and gift-giving—an expression of connection to whenua, lineage, and the gentle grace of a charmed existence.

This evocative abstract painting is alive with movement and emotion. Composed of broad, colourful, gestural strokes sweeping across the canvas pulsing with energy. The interplay of colour and rhythm reflects the artist’s deep connection to her environment, translating the shifting moods of the natural world into a layered and immersive visual language. It invites you to pause and feel, rather than define, what lies within its fluid boundaries.

Perfect as a floral arrangement or a stand alone piece, Blue Spot Vase is hand built and brings the outside world in.

A dark cloud stirs at the base of the canvas while a smaller form drifts upward, edged with bright ruby-pink highlights. Jamie’s soft blur and restrained palette create a sense of quiet motion, where tension and release coexist within his signature cloudscape.

A collaboration between artist and awa, this photograph is both a visual record and a poetic statement on land use, ownership, and the fragility of freshwater ecosystems. A beautiful reminder of our impact on nature – where pollution meets art, leaving behind ghostly red echoes of the unseen.

Michael’s collage-like painting is a festival of exotic shapes and forms that explore vibrant and often endangered plants.

Evoking a dreamy atmosphere, where dancing light and a sublime palette amplify drama and depth, blending reality and imagination.

The richly ornamented spine bears the marks of faithful use: flaking leather, small tears, and dulled gold. Mickey’s close focus elevates this humble object into a portrait of ritual and touch. It becomes a record of repeated gestures – of days marked, pages turned, and the endurance of belief.

Softly abstracted and richly atmospheric, Woman at Nagaroto captures a moment of contemplative movement, where time loosens and the landscape breathes.

Marks scatter, squiggles flare, feathers multiply, colours clash. Sentience is a riot of perception, a surface alive with unruly rhythms. Yet beneath the chaos there is pulse, intent, awareness – an intelligence in colour itself, testing its own boundaries, brushing up against the edge of becoming.

Gathering its trio of illustrated spines like characters in a forgotten domestic narrative. Scuffed and time-softened, they carry echoes of private lives and prescribed roles. Smith’s framing turns these once-practical guides into subtle social commentary – a study in identity, expectation, and the histories quietly shelved.

More compact and grounded, this work features a short, thick steel ribbon resting on a dark stone base. Its condensed form emphasises mass and tension, exploring movement through restraint while maintaining Ray’s signature sense of balance and flow.

Jimenez crafts a luminous space where beauty and mystery unfold with minimalist restraint.

Here’s Hoping is an exceptional addition to a space or collection. Soft curves move the eye through elegant steel folds.

This is one of those pieces you get utterly lost in. Seemingly simple in method and topic, it transports you to a far more complex place where all concept of time is lost. Stunning rich in colours and composition, this is no simple photograph – it is a work of art you are proud to have in your home and collection.

Jamie works in the world of surreal and realistic, equal mastering both. In his series consumed by clouds and smoke, it is not easy to determine the actual situation of what is going on – and this is what Jamie wants to achieve. The uncertainty, the slight questioning and the getting lost in the painting is a wonderful feeling to make his art timeless, striking and enjoyable.

A subtle but evocative portrait that uses paint in a masterful way to observe the way that light can create a scene.

This fluid abstract work, painted with diluted paints, evoke an emotional connection to her surroundings through layered mapping techniques.

Muted hues converge in a rhythmic dance, where shapes and marks echo both inner and outer landscapes. The painting transforms memory, emotion, and grief into luminous beauty, creating an atmosphere that hums with energy. Subtle yet powerful, it invites the viewer to pause, feel, and hold on within its shifting, expressive space.

This sculpture embodies Annie’s teacher aid years, where stories of caring for animals taught empathy and respect for life’s lessons.

Encircled, the figure of a woman victoriously holds up a golden branch offering peace and abundance to an interior.

Atmosphere and mood are central to Garry’s timeless and ethereal landscapes.

In this private bedroom sanctuary, an ornate four-poster bed dominates, speaking to Old World craftsmanship and continuity. The title suggests layered cultural traditions – American textiles meeting Norwegian folk art. Through carefully chosen bedside objects and beige drapes softening bold walls, Tori constructs “reflective nostalgia” – where objects, patterns, and memory reassemble the past into a comforting sense of home.

A softened palette and overarching forms combine Simon’s Māori and Chinese heritage to create a space for contemplation.

Faint but deliberate, Tracing Line follows ghosts. Whose path are we walking, and who left the breadcrumbs? Carpenter uses the language of painting – moody, earthen tones and elusive, shifting lines to question the ways colonial legacy leaves its mark. The line is not only a formal device, but a metaphor: for boundaries, histories, genealogies, and undoings.

A hypnotic mix of colour and pattern, where a blue, snake-like flower coils at the centre. Around it, bursts of flora and lively shapes create a garden alive with secrets. Neighbourhood Watch feels like the wild heart of a suburb caught mid-bloom.

Llenyd’s work explores the connection between mentality and the landscapes that offer a sense of escape. Through a rich, immersive scene, the piece provides a moment of respite – encouraging viewers to pause and step away from the rush of everyday life. Subtle yet thought-provoking, it invites reflection on our relationship with nature, the ways we shape our surroundings, and how these environments, in turn, shape us.

Iconic to New Zealand Contemporary Art, the Daisy Eye Series by Chris Heaphy is from a time in his life when he experimented with shapes and elements, which led him to the reduced and sophisticated works he now creates. Daisy Eye, however, will bring you endless fun and joy and connect you to this distinctive New Zealand artist.

This sculpture embodies Annie’s teacher aid years, where stories of caring for animals taught empathy and respect for life’s lessons.

Exploring entanglement and connectivity with captivating light play and intriguing negative space, this piece is perfect for wall or table display.

Soft layers of pink create a luminous field that slowly reveals its secrets. Embedded within the surface is a ghosted star form, drawn from connecting lines and erased gestures, like a memory half-recalled. The work invites close looking, rewarding attention with quiet discovery and a sense of navigation through subtle, atmospheric space.

Bright, bold, and buzzing with warmth, this beautiful set brings pure joy. The quirky shapes and glowing surfaces radiate sunshine and spice, turning any wall into a feel-good moment. A vibrant pop that says fun, loud and clear.

Serene and meditative, Te Au is a reflection on journey, identity, and connection. Kaan delicately constructs seascapes where land, water, and sky dissolve into one, anchored by the presence of the waka. The curved form, what Kaan calls a ‘wing-tip’, is both canoe and feather. In te reo Māori, au holds many meanings, but here it evokes the wake of a canoe, a poetic metaphor for the ripples we leave behind as we navigate through life.

Kui watching the Boat offers a tender meditation on distance and longing – land, water, and sky folding into one as past and present ripple across the surface.

Simon’s contemplative painting calls on his Māori and Chinese heritage, it is a tranquil, dream-like reflection space.

A long, swirling tube of metal curves through space with industrial confidence. Despite its robust materiality, the form feels fluid and graceful, merging notions of travel, movement, and quiet elegance.

A lively field of colour layered with gesture, where a single black drip slices down the centre – disrupting yet grounding the energy. The work hums with balance, a good vibe made visible.

A whisp of movement, elegantly manipulated to be a stylish and slender desirable wall object, perfect where narrow walls want to grab some attention and be seen. Ray Haydon’s amazing ability to make engineering, art and craft meet allows these beautifully pieces to shine in their simplicity, and just be.

Created from invasive gorse gathered at Waitawa Regional Park, this photograph is formed through sunlight and herbicide, resulting in a purple field mottled with green blooms. Suspended fragments drift across the surface, revealing the plant’s internal architecture. The image transforms a hostile species into something delicate, atmospheric, and quietly mesmerising.

Shaped by hand Jarred’s glass Bird People are stunning individually or as an installation.

Muted hues converge in a rhythmic dance, where shapes and marks echo both inner and outer landscapes. The painting transforms memory, emotion, and grief into luminous beauty, creating an atmosphere that hums with energy. Subtle yet powerful, it invites the viewer to pause, feel, and hold on within its shifting, expressive space.

This bold piece combines sweeping strokes of blues with intricate lines of embroidery, creating a striking balance between fluidity and precision. The large scale allows for expansive gestures, where the smooth movement of the paint contrasts with the detailed texture of the thread. The cool palette adds depth, while the layering of embroidery challenges the traditional boundaries of art and craft.

Waghorn paints a quiet forest cottage in layered blues, its solitude disrupted by a vivid rainbow bursting from the chimney. This surreal eruption transforms the scene, infusing the calm with explosive energy – an unexpected collision of stillness and spectacle that hints at hidden intensity beneath a serene exterior.

Ray’s dancing forms dance across a wall with a performance that changes from day to night as shadows that come and go.

Ben’s twisted steel figures play with memory through movement and shape, conjuring memories of childhood freedom.

A delicate, rhythmic composition built from bold layers of colours. Swirling, frond-like ink circles move across the surface, holding teardrop forms like tiny suspended orbs. Over this, looping drips of paint settle into circular marks, adding a sense of movement and quiet repetition.

With mastery with this exquisite golden piece with raise emanating light to dance and play off the intricate line work inside.

The soaring sense of freedom and sacred guardianship from this piece, weaves deep emotional ties to water’s nurturing, cultural spirit. It sparks a vibrant reverence, blending isolation with unity, as if swimming alongside ancestral protectors in a luminous, aqueous dance.

Ray’s dancing forms dance across a wall with a performance that changes from day to night as shadows that come and go.

A larger-scale work, showcasing a stunning rose gold hue, with her usual remarkable surface texture and light reflection.

Encircled, the figure of a woman victoriously holds up a golden branch offering peace and abundance to an interior.

Di’s incredible glass sculpture appears to defy glass itself. Light bounces through a delightful ice-like composition.

Capturing fluid lines and patterns, this work showcases delicate structure and beautiful form by one of New Zealand’s top glass artists.

Two halves converse in tension and harmony – one marked by precision and repetition, the other by weight and rupture. Together they become a meditation on duality: order and upheaval, restraint and release. The surface registers both silence and sound, as if architecture itself were breathing through the skin of pigment.

Dots and lines assemble into constellation-like structures against a pale, ethereal ground. Larger connected forms suggest scientific diagrams or celestial maps, while smaller marks orbit in gentle, circular motion. The work feels playful and expansive, merging cosmic wonder with human curiosity – part navigation tool, part reverie among the stars.

A surge of motion radiates from the canvas’s core, where luminous blues and greens seem to release light itself. Energy moves outward, gathering momentum yet retaining grace. This work holds the fullness of breath – the expansion before release – offering a visual rhythm that celebrates vitality, balance, and the interconnectedness of all movement.

The Weight I is an extremely moody representation of the landscapes of Aotearoa, displaying the soft and often sombre layers of colours in our country of the Long White Cloud. The reduced language in this piece and the brilliant knowledge of when to walk away and let it be are why people live with art—to see the world through the unique lens of an artist.

Peter has long created harmonious, hand thrown orb vessels that are soft and dreamlike, yet statement pieces in any room.

Michael’s Pacific palette is immediately recognisable, illuminating shapes and forms that are blissfully restorative.

Built from brooding layers, Carry Your Cross is thick with atmosphere and ambiguity. Dark tones form a weighty base, from which streaks of yellow drip like light attempting escape. A faint black cross hints at burden or belief, but remains unresolved. Highly abstract and emotionally raw, the work invites contemplation without offering answers.

A contemporary play on the bottle shape, with the artists’ signature experimental style playing across the surface.

As the colours change from the outlook of Deborah’s studio, the subdued greens and browns start popping – just that little bit of an invitation to the spring colours about to emerge. Once again, this is a refined study in form and layers, this work absorbs our attention like an incoming storm cloud, light by dashes of transcendent colour.

The city scapes of Matthew’s realistic artworks can take you on a trip down memory lane; a time when you were cool and lived in the inner city, out every night for dinner and living the life! The architectural angles, so beautifully and accurately captured, bring a timelessness into each work he creates, while capturing that moment in the day where the light hits from your favourite angle.

Cryptic and rhythmic, this piece feels like a coded message caught mid-thought. Fragments of language hover within fine-lined fields, interrupted by pulsing black marks that suggest measurement, memory, or time itself. This spare composition reads like a pause in a story, inviting viewers to begin again, and again.

Atmosphere and mood are central to Garry’s timeless and ethereal landscapes.

Iconic to the contemporary New Zealand art world, Karl Maughan owns the uber-embellished and stunningly vibrant colourful garden scene. These are not the average garden;  it is where we all want to walk, they are enchanting realms that invite viewers to wander within—a nostalgic walk through memories, perhaps, recalling childhood moments of exploring vast, magical gardens with a beloved nana, where everything felt huge and wondrous.

A captivating sculpture with interesting surface textures, captivating play of light, delving into themes of entanglement and connectivity.

A horizon divided: below, the fire of sunset spills across the water; above, the storm gathers in brooding swells. Light and dark wrestle across the canvas, charged with tension, beauty, and awe. This is the landscape in flux – just before the downpour, just after the sun’s last gasp – where atmosphere holds its breath and emotion surges with the wind.

A polished ribbon of stainless steel appears to hover as it twists above a square-cut dark stone base. The contrast between weight and lightness creates a sense of suspended motion, as though the steel has been caught mid-flow, balancing elegance with quiet strength.

In this piece, white roses open wide, their centres glowing with warm notes of gold and amber. Up close, the blooms feel generous, almost indulgent – a sensory rush of colour, light, and texture. Katherine transforms the familiar rose bush into something radiant and immersive, inviting you to linger in its quiet, sun-soaked opulence.

Layer by layer, memory and matter stack across the canvas like a cross-section of ancient earth. Pigments bleed and shift, forming quiet records of change. Sedimentary is a meditation on time’s compression, where the weight of the past presses against the present in delicate, bleeding lines.

Ursula’s gaze captivates, tugging at your heartstrings with Annie’s profound humanity shining through this exquisite artwork.

The rich tones slowly reveal its subject as abstract lines become more visible to the eye—a ghostly reclining figure in the gestural painted language. Positioned as a hero piece in a room with luxurious colours, this stunning artwork will encourage conversation as much as it commands the stage for the quiet confidence of just being.

A sweeping branch is forged and galvanised into life by a master metalworker in the foothills of the Waitakere forest.

There is a physical presence to this work that stops you – wide, weighty, and impossible to take in all at once. Garry builds in earthy tones, layering and obscuring in equal measure, stratum upon stratum of earth and shadow rendered in near-monochrome. As though a fine veil has been drawn across the surface, softening every edge, withholding every answer. Time feels embedded in the paint itself.

Reveling in abundance: blush-pink blossoms press forward through a tangle of green, painted with generous, impasto strokes. There’s a sense of devotion in the repetition of petals and leaves, of care given and returned in bloom. Romantic without being fragile, the painting pulses with warmth, vitality, and quiet intensity.

Richard’s paintings are legendary for their bold style and innate connection to the people and places of New Zealand.

Carpenter works with moody, earthen tones and elusive lines to explore how colonial legacy lingers. The line becomes a metaphor, at once boundary, history, and unraveling. Under the surface, something insists on being seen. Uncovering Line peels back the paint, and perhaps a bit of history too. What’s hiding under your tidy narratives?

Three pale volumes rest like figures in a portrait, the central spine glowing with its gold-embossed title. Their worn surfaces speak of years of handling and rereading. Mickey transforms these aging books into a scene of hushed reverence, where the promise of story waits patiently to be awakened.

The experimentation of materiality is always evident when engaging with Julie’s works. Tall and proud, this piece not only delights in form, but also in the crawling glaze that makes it’s way down the side of the vessel. Ever changing light will bring everchanging impact and endless delight.

Ancient and unhurried, the redwood has witnessed more than we’ll ever know. Loren places a solitary figure at its base – small, still, barely there. The shadows don’t threaten; they hold. An invitation to stand inside something far older than yourself, and simply enjoy.

In Loren’s contemporary abstract painting, ethereal figures emerge like restless spirits, sculpted from alchemic realms of paint, reaching through veils of color.

A playful form dances its own delicate performance on the wall. A perfectly balanced piece to capture your imagination.

Like waves meeting the shore, Sea & Surf carries the essence of the ocean. Sandy tones peek through layers of blue, while soft white glazes pool and crackle like seafoam resting atop sun-warmed sand. This piece evokes the rhythmic ebb and flow of tides, frozen in time.

Repetition becomes reverence in this masterpiece by Palmer. Each petal a meditation on beauty, fragility, and the quiet power of close observation. The modular composition invites you to move between the parts and the whole, echoing the way nature’s intricacy is both intimate and expansive.

Shane’s remarkable creation commands a powerful presence, bridging physicality and spirituality with its hand-built board, concrete, and copper composition.

Two lights, one mirror, the geometry of a curtain holding its grid. Tori finds symmetry not as certainty but as longing – the desire to see ourselves clearly in spaces that have already begun to shift. Reflection, it turns out, is always slightly off.

John Walsh’s subject matter of mythical or legendary figures has taken him away from Aotearoa and his often East Coast topic to the character of Tonto – where is Tonto being led? This interesting lithograph brings a rawness to the work, further enhanced by the masked figures in various forms of movement. The white breathing space focuses the eye on the drama and energy of the two omunous looking people.

Born from long hours spent within the tree line of Waitītiko Creek, this piece reflects on how artists of the last century have related to their own green spaces. Channeling the spirit of Gordon Matta-Clark’s Energy Tree drawings, the work traces unseen currents of energy and connection, revealing a landscape that is at once grounded and otherworldly.

A free and abundant arrangement with a contemporary twist, brimming outward and unconstrained.

Skilled stone carver Chris presents an anchorstone work, referencing the flowing waters of Tīkapa, in the Hauraki Gulf.

Atmosphere and mood are central to Garry’s timeless and ethereal landscapes.

Mickey’s photograph of bound books is nostalgic for a time lost to the digital world. A thoughtful centrestage artwork.

A dazzling photographic process works to create translucent colours that fold to create an unforgettably vivid depth.

Something is lifting. EK layers line upon line until the canvas hums with accumulated energy – feathered, flushed, coiled to go. The colours burn low and cool at once. This is what freedom looks like before it has a destination.

Musky pink and layered with mischief. A memory from Spain, this piece captures a sisterly moment Maria’s not sure her sibling would want revisited. Sun, laughter, and just enough trouble to make it unforgettable – painted like a secret only half-told.

Ben’s steel figures evoke childhood freedom, playing with memory through fluid movement and evocative shapes, stirring deep, emotive recollections.

With forms dissolving into shadow and earth, Mound is a quiet reckoning with memory and presence – where myth and identity drift through fluid, dreamlike space.

Blurred earthy tones drift into deep steel blues and olive greens, like heat rising from grass at dusk. A strong white form anchors the lower corner – a quiet promise within the haze. The painting hums with anticipation, holding that still evening moment where reflection softens into hope.

A bold upside down garden, taking the still life to another dimension. His influences by contemporary artists are clearly visible, and his love of pop culture is proudly displayed in his use of colour and composition. Aaron is a confident painter; he didn’t find the need for a title for this piece – maybe you can?

The lyrics of Bell Under Water by Lotte Kestner are called upon in this surreal contemporary painting.

Jimenez creates a spatial experience brimming with beauty, mystery, and mesmerizing captivation.

Greg’s hand-blown, carved vessels are stunning, especially with the juxtaposition of the organic matte hand-carved top with the vessel’s blown, glossy base.

Sonja conjures a world where land and water blur in this piece, and spindly leafless trees stretch at uneasy angles between realms. The crimson palette scorches the scene with intensity, while sparse patches of green hint at resilience within the desolate. There is a haunting stillness here revealing nature’s fragile balance and the unseen depths beneath its surface.

In this beautiful hand built piece Annie captures the humanity and humility of our world in this lovable patched up Hare.

A stunning small piece celebrating femininity and movement with strength and energy. Out of Bounds challenges and engages.

Sure to delight, Fluid dances an entangled performance, the perfect conversation piece that plays with the light.

A study in becoming. This piece captures the constant shift – of thought, of emotion, of being. Figures half-formed and dissolving, always in motion, never fixed. Like light through water, it flickers with the feeling that nothing stays the same for long.

Two hydrangea heads pressed together tell different stories of time – one still fresh in its bloom, the other later in the season with fading color and burnt petals showing their age. Liam’s meticulous charcoal and pastel work reimagines 17th-century vanitas, capturing the fragility of existence in exquisite detail.

A soft, contemplative haze that ebbs and swells with quiet emotion. Gentle pulses of focus emerge and fade, offering a tender record of drifting between rest, thought, and the blurred edges of consciousness.

The light is hitting the hills on a clear winter day. The hills are being reflected in the water, visible from the edge of the water where Garry Currin often paints his work. You can almost hear the sea gently rolling against the rocks in a rhythm that sends you deeper into thought, lost in the landscape.

Forged from cast steel on stone, this sculpture is a testament to the artist’s lifelong exploration of material, movement, and form. Every angle offers a new perspective, revealing unexpected shapes and shadows that shift with the viewer’s gaze. Both theatrical and mesmerizing, this work embodies the tension between strength and fluidity – a balance perfected through a lifetime of experimentation.

Known for his iconic commissions of animals, large public public displays and intricate flower bouquets, this Mahoe leaf begins as a screen-printed design, then cut to achieve the look of a leaf on the forest floor. Hanging just proudly off the wall, the delicate steel cutwork responds beautifully to changing light, radiating joy both day and night.

All of the Mahoe Leaves are individually made, please allow for 3-4 weeks time. The dimensions will change slightly, as will the colouration This is the artist’s desire in order to keep each piece special and unique.

Arc emerges from a luminous gold ground that glows subtly at the edges, framing cascades of thick, dripping colour. Each hue pulls to the left and right, creating a sense of motion that feels both deliberate and uncontrolled. Black volcanic sand scatters across the surface like a gestural script, adding grit and contrast. The work lingers like salt on the skin after swimming – a textured reminder of what shifts and stirs beneath the surface.

In Loren’s contemporary abstract painting, ethereal figures emerge like restless spirits, sculpted from alchemic realms of paint, reaching through veils of color.

The bold, gestural strokes of this piece infuse the room with vibrant energy, serving as a unifying element that ties a collection together. It’s the kind of artwork that makes you want to move when you look at it, as you can almost feel the artist’s confident, inspiring motions with each brushstroke.

A brilliant pink backdrop bursts with colour drops that scatter and bloom across the surface. When Dreams Come True feels exuberant – an unfolding of joy, energy, and possibility.

From the softened hues of a timeworn painting, delicate outlines emerge: abstracted flora cut from absence and light. These translucent forms hover over a yellowed ground and its narrow path, transforming the scene into a study of incision and trace – an act of papercut as both gesture and memory.

Digging, scraping, revealing. Unearthing Line is archaeology in oil and pigment. What happens when the buried thing sees light again? Carpenter uses the language of painting – moody, earthen tones and elusive, shifting lines to question the ways colonial legacy leaves its mark. The line is not only a formal device, but a metaphor: for boundaries, histories, genealogies, and undoings.

Beautiful shapes in organic forms, dappled with texture indenting the matt surface, this beautiful shape, together with its partner piece, ‘Amorphous II,’ are stunning sculptural objects that quietly command attention on any sideboard or as a centrepiece. The pieces bring beauty and warmth into a room, working in conjunction with the right wall art to compliment and enhance the visual language.

Abstraction has a way of getting into your heart—you see so many different things in it, especially when presented with so many delightful aspects in one artwork, as Deborah Moss demonstrates. Her colour palettes change in mood in response to the natural surroundings of her studio, and as such, so will your mood.

Deep in the Whirinaki forest, Billy channels David Hockney’s elegant pool paintings but with a kiwi summer twist.

A white square holds a glowing pink centre, but look closer – those edges blur in the most intriguing way. Straight, but soft. Angular, yet gentle. It’s one of Karyn’s favorites, and it’s easy to see why: she’s found tenderness in geometry, making hard edges feel unexpectedly dreamy. The work glows with a quiet magic, exploring how basic shapes can create surprising emotional resonance.

A line drawn is a decision made. But what if It’s a mistake? Unmaking Line unravels certainty one brushstroke at a time. Can you feel it letting go? Carpenter paints with blurred lines and earthy hues to reckon with the traces of colonial legacy. Each work offers a different gesture, revealing how history seeps, slips, and resists containment.

Whakora flows seamlessly across the wall’s surface, where the negative space holds equal importance.

In Shall I See, the Hare gazes into a dark void mirror, prompting viewers to examine their reflections.

A generous study of native flax coexisting among shadows is luxurious and poetic. For lovers of photography and painting.

Cool geometric fragments float over a calm landscape, giving the piece a crisp, minimalist edge.

An abstract feminine figure crosses through the centre of this striking work, reaching outwards, moving beyond the page.

Structured like the panes of a window, this work invites us to look through a series of shifting scenes – each panel a fragment of colour, emotion, and rhythm. Some are soft and luminous, others bold and vibrant. Together, they form a mosaic of memory and mood, echoing the layered, musical quality of Kerr’s practice. Not one fixed view, but many – refracted, abstracted, and alive with presence.

Mustard yellow swirls with sleepy white and squiggled thoughts. Post-nap energy – messy, dreamy, full of leftover dreams and slightly-too-loud ideas. A celebration of waking up slow and painting before you’re fully back.

Waghorn divides space and mood in this piece – cool blue meets heated red. A tree anchors the left; an ironing board with a vase of flowers floats mid-right. The pops of colour spark against the background, hinting at beauty and tension within the blur of domestic space.

Jim’s sculptures capture the fragility and charm of nature, playing with light and shadow while elevating craftsmanship.

Skilled stone carver Chris presents an anchorstone work, referencing the flowing waters of Tīkapa, in the Hauraki Gulf.

Michael’s large botanical painting blissfully mixes new moments within it. Waiting to be uncovered with every viewing.

Pulsing with the warmth of the changing season, this intricate piece is composed of rich coloured pheasant and peacock feathers. Fiona’s signature circular form and precise arrangement evoke the rhythm and beauty of autumn’s shift, honouring the natural world with meditative grace.

A ceramic vortex opens up like a flower or moves like wind. An exceptional addition to any space or collection.

Two decorative Royal Copenhagen plates hang on elegant blue walls, while atop a console sits the recognisable Crown Lynn swan, bridging European refinement with a distinctly New Zealand domestic icon. This quiet arrangement becomes a dialogue between cultures, where nostalgia creates recognition across distance and time, linking personal and collective histories.

Cruz orchestrates an explosive constellation, brimming with beauty and mystery whilst being mesmerizing and captivating.

This work unfolds as a trace of movement – an imprint of perception in motion. Across the surface, layers of darkness reveal the rhythm of looking itself. Through the physical act of painting, gesture becomes vision, transforming black into a luminous field where presence and absence coexist in perpetual exchange.

A dazzling photographic process works to create translucent colours that fold to create an unforgettably vivid depth.

In this series, Kurth explores the way we see and interpret everyday objects, capturing the tension between abstraction and representation. Each mark responds to the one before, building layers of meaning that shift and evolve. His paintings invite the viewer to experience a flickering perception, where familiar forms dissolve and reassemble, opening the door to new ways of seeing the ordinary.

Fragments of blue and silver 3D geometrical shapes scatter across a historic mountain landscape, their sharp forms hovering in and out of focus. The crystalline overlays fracture the scene, suggesting both a sculptural intervention and a meditation on how land and image are preserved, remembered, and reconstructed.

Dripping paint falls up and down a silken canvas, with an incredible, fresh contemporary energy.

This artwork’s enjoyable humor adds a playful and fun touch, making it an extraordinary addition to any room.

There is simply no comparison to this highly personalised and unique painting. A spectacular depiction with notes adoring.

Monique’s interest in surfaces continues in this work, with texture created on a white-on-white box sculptural form.

A canvas bathed in radiant yellow, its edges animated by pencil marks, smudges, and subtle drips of grey. Yellow is both bold and delicate, capturing the vitality of colour while leaving room for pause.

With orange being the colour of the happy inner soul, the joy you feel to your core when being greeted by ‘Honeycomb’ will also be infectious, flowing onto all to share. This is an insight into the way Michael sees the world – fantastical, vibrant, full of energy and laughter. Let it sink in…

Painted to the stirring cadence of Beethoven’s Eroica, this work pulses with quiet resolve. A presence emerges, not in triumph, but in persistence – glowing from within. It speaks of courage that’s personal, reflective, and deeply human. The hero not as myth, but as moment.

The moody landscapes of Aotearoa are captured in this intriguing, beautiful painting. While landscapes can have the reputation of the subdued and expected, add a layer of abstract and the brilliant mind of a deep thinker to them, and this is why people live with art – to see the world through the unique lense of an artist.

Carved from ancient Kahikatea long-sheltered beneath Northland’s rivers, this work embodies both time and transformation. Its faceted form catches light like a gemstone, revealing golden depths within the timber’s grain. Blending the essence of pou with the brilliance of carved stone, it stands as guardian and offering – honouring whenua, ancestry, and the quiet gratitude of a charmed life.

Wind whips about a departing figure, leaving elemental brushstrokes as a visceral reminder of art’s expressive power.

A whisp of movement, elegantly manipulated to be a stylish and slender desirable wall object, perfect where narrow walls want to grab some attention and be seen. Ray Haydon’s amazing ability to make engineering, art and craft meet allows these beautifully pieces to shine in their simplicity, and just be.

This monotype features a tightly coiled electric blue swirl against a dark blue field. Zara’s deliberate yet spontaneous gestures reflect a deep engagement with process, where colour choice and pressure shape the final form. The compact motion suggests contained energy, still reaching past the paper’s boundaries.

Fresh greens meet snow-capped peaks in this layered landscape of contrast and calm. Alexandra invites you to the lake’s edge, where everything gives way to quiet, trees stand gently to one side, and the sky begins to blur into cloud-covered summits. A celebration of renewal and stillness – the kind of spring morning that feels like a breath held in peace.

A mesmerizing imprint of nature’s resilience – Waxing Gibbous to Waxing Crescent captures the river’s shifting rhythms, leaving behind traces of beauty in its raw, unfiltered truth.

A luminous interplay of past and present, this work layers a 3D model of the alien-like Anthurium lily over a fragment of Nicolas Chevalier’s 1861 landscape. The vivid reds and layered greens recall Gordon Matta-Clark’s sculptural sensibility, while the softly glowing mountain grounds the composition in a colonial imaginary. The result is a collision of forms and times, where the botanical becomes architectural and the landscape both shimmers and unsettles.

Fences edge the foreground guiding the gaze across sunlit hills to a quiet meeting of land and sea. A study in light and longing, this work invites you into a landscape both observed and felt.

A circle of ripples expands across a dark body of water – something has just broken the surface, or is about to. Above, a luminous white form hovers, ambiguous and arresting. It may not look like a fish, but it carries the unmistakable energy of one – the flash of something wild, briefly glimpsed and already gone.

This artwork reflects Llenyd’s personal exploration of their place within Aotearoa’s natural landscape. Through bold yet fractured use of colour, the piece captures the way memory shifts and reshapes over time. The silhouetted figure serves not as a fixed presence but as a passing observer – witnessing moments unfold in the mind. It invites you to consider your own connections to place, memory, and self-perception within ever-changing environments.

A rhythmic field of repeating lines, forming a finely balanced, symmetrical structure. Six dark brown bands cluster at the centre, anchoring the composition. Drawing on autumnal hues, the work reflects Jon’s close observation of taiao, where colour, pattern and seasonal change are carefully studied, ordered and re-imagined.

A textured drift between memory and sensation, where signals flare and recede. Points of intensity gather like half-formed thoughts, mapping the strain of holding onto something that keeps slipping away.

Lush and vibrant, this piece pulses with energy beneath its textured white shell. The underlying greens, yellows, and hints of red create an interplay of colour that feels both organic and otherworldly – like a hidden garden emerging from a late winter frost.

Wood-borer marks get the spotlight in this playful tribute to tiny lives – hand-routed like lost languages from the bug underworld. Abstract forms emerge from these insect etchings, transformed into bold gestures and vibrant echoes of the unseen.

Precision in placement, patience in selection and a feeling for colour form the foundation of Fiona’s work. Initially simplistic from afar, the closer you get, the more intricate, layered, and complex the work unveils itself. With her feathered work, Fiona combines her heritage with her passion for circular forms or symbolism crossing cultural barriers. From small, intimate pieces to large-scale showstoppers, Fiona astounds in her dedication to her art form.

Lush and unapologetic, The Fall of December is summer at full voice. A thicket of white roses spills across the canvas, dense with bloom and promise, the kind of garden moment that stops you mid-step. Katherine’s gestural marks thrum with growth and abundance, honouring December’s fleeting peak before it inevitably fades.

A bouquet overflows with a lively abundance that orbits a William Morris palette of deep greens and bold natural colours.

A rolled fragment of institutional memory becomes something intimate. The faded University of Auckland stamp whispers of ownership and circulation, while the bold, sideways END interrupts like a final chapter arriving too soon. Smith turns this weathered document into a meditation on beginnings and endings, where history curls in on itself.

Rich and a little mysterious, this stunner adds a pop of playful drama. With its glossy shimmer and offbeat silhouette, It’s both regal and rebellious – perfect for walls that don’t take themselves too seriously.

A single continuous green line meanders across a rusty orange ground, evoking both geological strata and a wandering signal. The restrained palette suggests depth, heat, and buried movement. The line feels intuitive and bodily, tracing an unseen path beneath the surface—part mapping, part meditation on what lies hidden but active below.

Andrea’s painting of nature and the way it drapes itself all around us, watching for moments of abstract beauty outside.

In Di’s masterful glass sculpture, the inhale and exhale is frozen in time like ice. A truly seductive sculptural piece.

A ribbon of stainless steel curves in an almost-infinite form, poised just short of completion atop a dark rectangular stone base. The near-loop creates a sense of anticipation and suspended motion, suggesting continuity without closure. Precision and elegance meet weight and stillness, emphasising the quiet tension between movement and restraint.

A radiant blend of red, pink, and gold rises across the canvas in waves of warmth and motion. Amid the abstraction, a faint, shifting form teases the outline of a figure – or perhaps it’s simply colour caught in a moment of stillness. There’s a quiet tension here – as if the painting itself is caught in the act of gathering strength. Luxurious and ambiguous, the work invites the viewer to project, reflect, and feel their way through its blurred boundaries.

Like Orpheus descending, the eye is drawn across into warm, glowing depths – gold light filtered through dark sentinels, reflections dissolving into abstraction. Garry conjures a world that hovers between the living and the otherworldly, familiar yet unreachable. A large-scale meditation that rewards stillness, inviting the viewer to linger at the threshold between two worlds.

This limited edition screenprint, with a delicate gold ink overlay and hand embellishments, captures the fleeting beauty of the Hydrangea macrophylla in bloom. Known for his botanical works, Gerrard titles each piece by the location where the flower was discovered, creating a deep connection between place, memory, and time.

A descending snowfall cascades down this indelible sculpture, melting away in spring time told in the language of glass.

A burst of warm orange, like a sun or tropical fruit—with its geometric shapes in complementing colours, the cast perspex and slightly mind-bending works of Kāryn Taylor are intriguing as well as stunningly attractive artworks. Your eye doesn’t quite know what to focus on, as there are clear lines combined with blurred lines to deliberately confuse.

Garry’s artwork captures a turbulent landscape, with the earth agitated by internal forces, revealing our vulnerability to nature’s power.

A stainless steel ribbon gracefully meanders, showcasing joyful curves and the mastery of crafting fluid forms with unforgiving materials.

A moment on an Auckland street captured through Matthew’s interest in cinematic mise-en-scène, paying homage to the city.

A moment of motion, frozen in time. This sculpture balances strength and weightlessness, its fluid form appearing to drift effortlessly against the wall. Like a ribbon caught mid-air, it plays with light and shadow – shifting with the passing day, casting bold silhouettes that enhance its sense of movement. An interplay of material and illusion, it invites contemplation from every angle, capturing the beauty of suspended motion.

Darkness broken into pieces, a glow at the horizon where the day gave out. Llenyd’s figure doesn’t demand to be found – it waits. The blocks hold the shadows in. Some clarity, it turns out, only comes when the world finally quiets.

Monique’s interest in surfaces continues in this work, with texture created on a white-on-white box sculptural form.

A powerful monochromatic statement on nature’s fragility for collectors valuing environmental storytelling.

A sweeping branch is forged and galvanised into life by a master metalworker in the foothills of the Waitakere forest.

Steel greys and city shadows frame this cinematic moment – where light slices through buildings and lands on one lone yellow line, like a secret clue in an urban noir.

Damian takes the traditional still life to a more pared-back, more relevant artwork. The traditional composition and arranging remain, but each work, such as in Thurm III, is tagged or marked or labelled. This is a play on the traditional masters of still life….all is not as it seems. In that though, there is admiration and respect for the techniques still applied today. The charm remains, and the beauty of his works are as endearing as ever.